The Posthumous Voice in Women's Writing from Mary Shelley to Sylvia Plath

Fiction & Literature, Literary Theory & Criticism
Cover of the book The Posthumous Voice in Women's Writing from Mary Shelley to Sylvia Plath by Claire Raymond, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Claire Raymond ISBN: 9781351883665
Publisher: Taylor and Francis Publication: December 5, 2016
Imprint: Routledge Language: English
Author: Claire Raymond
ISBN: 9781351883665
Publisher: Taylor and Francis
Publication: December 5, 2016
Imprint: Routledge
Language: English

This provocative book posits a new theory of women's writing characterized by what Claire Raymond calls 'the posthumous voice.'This suggestive term evokes the way that women's writing both forefronts and hides the author's implied body within and behind the written work. Tracing the use of the disembodied posthumous voice in fiction and poetry by Mary Shelley, Emily Brontë, Emily Dickinson, and Sylvia Plath, Raymond's study sounds out the ways that the trope of the posthumous voice succeeds in negotiating the difficult cultural space between the concept of woman's body and the production of canonical literature. Arguing that the nineteenth-century cult of mourning opens to women's writing the possibility of a post-Romantic 'self-elegy,' Raymond explores how the woman writer's appropriation and alteration of elegiac conventions signifies and revises her disrupted relationship to audience. Theorizing the posthumous voice as a gesture by which the woman writer claims, and in some cases gains, canonicity, Raymond contends that the elegy posed as if written by a dead woman for herself both describes and subverts the woman writer's secondary status in the English canon. For the woman writer, the self-elegy permits access to a topos central to canonical literature, with the implementation of the trope of the posthumous voice marking a crucial site of woman's interaction with the English canon.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This provocative book posits a new theory of women's writing characterized by what Claire Raymond calls 'the posthumous voice.'This suggestive term evokes the way that women's writing both forefronts and hides the author's implied body within and behind the written work. Tracing the use of the disembodied posthumous voice in fiction and poetry by Mary Shelley, Emily Brontë, Emily Dickinson, and Sylvia Plath, Raymond's study sounds out the ways that the trope of the posthumous voice succeeds in negotiating the difficult cultural space between the concept of woman's body and the production of canonical literature. Arguing that the nineteenth-century cult of mourning opens to women's writing the possibility of a post-Romantic 'self-elegy,' Raymond explores how the woman writer's appropriation and alteration of elegiac conventions signifies and revises her disrupted relationship to audience. Theorizing the posthumous voice as a gesture by which the woman writer claims, and in some cases gains, canonicity, Raymond contends that the elegy posed as if written by a dead woman for herself both describes and subverts the woman writer's secondary status in the English canon. For the woman writer, the self-elegy permits access to a topos central to canonical literature, with the implementation of the trope of the posthumous voice marking a crucial site of woman's interaction with the English canon.

More books from Taylor and Francis

Cover of the book Justice before Reconciliation by Claire Raymond
Cover of the book The Political Importance of Regional Trading Blocs by Claire Raymond
Cover of the book The Nature of Social Reality by Claire Raymond
Cover of the book The Routledge Research Companion to Nineteenth-Century British Literature and Science by Claire Raymond
Cover of the book Japanese Cinema and Otherness by Claire Raymond
Cover of the book Accession and Migration by Claire Raymond
Cover of the book Religion and Democracy by Claire Raymond
Cover of the book Foreign Investment in Canada: Prospects for National Policy by Claire Raymond
Cover of the book Cities of God and Nationalism by Claire Raymond
Cover of the book Pragmatism and Democracy by Claire Raymond
Cover of the book Transnational Writing Education by Claire Raymond
Cover of the book Christianity and Marxism by Claire Raymond
Cover of the book Behavior, Health, and Aging by Claire Raymond
Cover of the book Handbook for Sound Engineers by Claire Raymond
Cover of the book Plotinus on the Appearance of Time and the World of Sense by Claire Raymond
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy