The Prairie Child

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book The Prairie Child by Arthur Stringer, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Arthur Stringer ISBN: 9781465584724
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Arthur Stringer
ISBN: 9781465584724
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English
“Well, she doesn’t make love like a frog,” he retorted with his first betraying touch of anger. I turned to the window, to the end that my Eliza-Crossing-the-Ice look wouldn’t be entirely at his mercy. A belated March blizzard was slapping at the panes and cuffing the house-corners. At the end of a long winter, I knew, tempers were apt to be short. But this was much more than a matter of barometers. The man I’d wanted to live with like a second “Suzanne de Sirmont” in Daudet’s Happiness had not only cut me to the quick but was rubbing salt in the wound. He had said what he did with deliberate intent to hurt me, for it was only too obvious that he was tired of being on the defensive. And it did hurt. It couldn’t help hurting. For the man, after all, was my husband. He was the husband to whom I’d given up the best part of my life, the two-legged basket into which I’d packed all my eggs of allegiance. And now he was scrambling that precious collection for a cheap omelette of amorous adventure. He was my husband, I kept reminding myself. But that didn’t cover the entire case. No husband whose heart is right stands holding another woman’s shoulder and tries to read her shoe-numbers through her ardently upturned eyes. It shows the wind is not blowing right in the home circle. It shows a rent in the dyke, a flaw in the blade, a breach in the fortress-wall of faith. For marriage, to the wife who is a mother as well, impresses me as rather like the spliced arrow of the Esquimos: it is cemented together with blood. It is a solemn matter. And for the sake of mutter-schutz, if for nothing else, it must be kept that way.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
“Well, she doesn’t make love like a frog,” he retorted with his first betraying touch of anger. I turned to the window, to the end that my Eliza-Crossing-the-Ice look wouldn’t be entirely at his mercy. A belated March blizzard was slapping at the panes and cuffing the house-corners. At the end of a long winter, I knew, tempers were apt to be short. But this was much more than a matter of barometers. The man I’d wanted to live with like a second “Suzanne de Sirmont” in Daudet’s Happiness had not only cut me to the quick but was rubbing salt in the wound. He had said what he did with deliberate intent to hurt me, for it was only too obvious that he was tired of being on the defensive. And it did hurt. It couldn’t help hurting. For the man, after all, was my husband. He was the husband to whom I’d given up the best part of my life, the two-legged basket into which I’d packed all my eggs of allegiance. And now he was scrambling that precious collection for a cheap omelette of amorous adventure. He was my husband, I kept reminding myself. But that didn’t cover the entire case. No husband whose heart is right stands holding another woman’s shoulder and tries to read her shoe-numbers through her ardently upturned eyes. It shows the wind is not blowing right in the home circle. It shows a rent in the dyke, a flaw in the blade, a breach in the fortress-wall of faith. For marriage, to the wife who is a mother as well, impresses me as rather like the spliced arrow of the Esquimos: it is cemented together with blood. It is a solemn matter. And for the sake of mutter-schutz, if for nothing else, it must be kept that way.

More books from Library of Alexandria

Cover of the book Historical Romances: Under the Red Robe, Count Hannibal, a Gentleman of France by Arthur Stringer
Cover of the book Seven Minor Epics of the English Renaissance (1596-1624) by Arthur Stringer
Cover of the book First Person Paramount by Arthur Stringer
Cover of the book Pervnature by Arthur Stringer
Cover of the book The Acts of Uniformity: Their Scope and Effect by Arthur Stringer
Cover of the book The Cathedral Builders: The Story of a Great Masonic Guild by Arthur Stringer
Cover of the book Christmas at Thompson Hall by Arthur Stringer
Cover of the book Mehalah: A Story of the Salt Marshes by Arthur Stringer
Cover of the book Un Philosophe Sous Les Toits by Arthur Stringer
Cover of the book Recently Recovered "Lost" Tudor Plays with some others by Arthur Stringer
Cover of the book Bertha's Christmas Vision: An Autumn Sheaf by Arthur Stringer
Cover of the book Acquazzoni in Montagna: Commedia in Due Atti by Arthur Stringer
Cover of the book The Religious System of The Amazulu by Arthur Stringer
Cover of the book Julius Caesar’s War Commentaries: The Spanish Wars by Arthur Stringer
Cover of the book The Fate: A Tale of Stirring Times by Arthur Stringer
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy