The Relación de Michoacán (1539-1541) and the Politics of Representation in Colonial Mexico

Nonfiction, Art & Architecture, General Art, Art History, American, History, Americas, Mexico
Cover of the book The Relación de Michoacán (1539-1541) and the Politics of Representation in Colonial Mexico by Angélica Jimena Afanador-Pujol, University of Texas Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Angélica Jimena Afanador-Pujol ISBN: 9781477301074
Publisher: University of Texas Press Publication: July 1, 2015
Imprint: University of Texas Press Language: English
Author: Angélica Jimena Afanador-Pujol
ISBN: 9781477301074
Publisher: University of Texas Press
Publication: July 1, 2015
Imprint: University of Texas Press
Language: English
The Relación de Michoacán (1539–1541) is one of the earliest surviving illustrated manuscripts from colonial Mexico. Commissioned by the Spanish viceroy Antonio de Mendoza, the Relación was produced by a Franciscan friar together with indigenous noble informants and anonymous native artists who created its forty-four illustrations. To this day, the Relación remains the primary source for studying the pre-Columbian practices and history of the people known as Tarascans or P'urhépecha. However, much remains to be said about how the Relación's colonial setting shaped its final form.By looking at the Relación in its colonial context, this study reveals how it presented the indigenous collaborators a unique opportunity to shape European perceptions of them while settling conflicting agendas, outshining competing ethnic groups, and carving a place for themselves in the new colonial society. Through archival research and careful visual analysis, Angélica Afanador-Pujol provides a new and fascinating account that situates the manuscript's images within the colonial conflicts that engulfed the indigenous collaborators. These conflicts ranged from disputes over political posts among indigenous factions to labor and land disputes against Spanish newcomers. Afanador-Pujol explores how these tensions are physically expressed in the manuscript's production and in its many contradictions between text and images, as well as in numerous emendations to the images. By studying representations of justice, landscape, conquest narratives, and genealogy within the Relación, Afanador-Pujol clearly demonstrates the visual construction of identity, its malleability, and its political possibilities.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
The Relación de Michoacán (1539–1541) is one of the earliest surviving illustrated manuscripts from colonial Mexico. Commissioned by the Spanish viceroy Antonio de Mendoza, the Relación was produced by a Franciscan friar together with indigenous noble informants and anonymous native artists who created its forty-four illustrations. To this day, the Relación remains the primary source for studying the pre-Columbian practices and history of the people known as Tarascans or P'urhépecha. However, much remains to be said about how the Relación's colonial setting shaped its final form.By looking at the Relación in its colonial context, this study reveals how it presented the indigenous collaborators a unique opportunity to shape European perceptions of them while settling conflicting agendas, outshining competing ethnic groups, and carving a place for themselves in the new colonial society. Through archival research and careful visual analysis, Angélica Afanador-Pujol provides a new and fascinating account that situates the manuscript's images within the colonial conflicts that engulfed the indigenous collaborators. These conflicts ranged from disputes over political posts among indigenous factions to labor and land disputes against Spanish newcomers. Afanador-Pujol explores how these tensions are physically expressed in the manuscript's production and in its many contradictions between text and images, as well as in numerous emendations to the images. By studying representations of justice, landscape, conquest narratives, and genealogy within the Relación, Afanador-Pujol clearly demonstrates the visual construction of identity, its malleability, and its political possibilities.

More books from University of Texas Press

Cover of the book Transforming Modernity by Angélica Jimena Afanador-Pujol
Cover of the book Black Space by Angélica Jimena Afanador-Pujol
Cover of the book A History of Fort Worth in Black & White by Angélica Jimena Afanador-Pujol
Cover of the book Jean Stafford by Angélica Jimena Afanador-Pujol
Cover of the book Russian Dramatic Theory from Pushkin to the Symbolists by Angélica Jimena Afanador-Pujol
Cover of the book The Gordon File by Angélica Jimena Afanador-Pujol
Cover of the book Life in Oil by Angélica Jimena Afanador-Pujol
Cover of the book Lizards on the Mantel, Burros at the Door by Angélica Jimena Afanador-Pujol
Cover of the book Baetica Felix by Angélica Jimena Afanador-Pujol
Cover of the book Reforming Intelligence by Angélica Jimena Afanador-Pujol
Cover of the book Positivism in Mexico by Angélica Jimena Afanador-Pujol
Cover of the book The Road to Safwan by Angélica Jimena Afanador-Pujol
Cover of the book The Making of the Mexican Border by Angélica Jimena Afanador-Pujol
Cover of the book Founding Finance by Angélica Jimena Afanador-Pujol
Cover of the book Roman Military Law by Angélica Jimena Afanador-Pujol
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy