The Representation of Ireland in Literature and Media of Hip-hop Artist Jun Tzu. An Analysis of the Song 'The Bridge'

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book The Representation of Ireland in Literature and Media of Hip-hop Artist Jun Tzu. An Analysis of the Song 'The Bridge' by Erik Lutz, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Erik Lutz ISBN: 9783668253575
Publisher: GRIN Publishing Publication: July 5, 2016
Imprint: GRIN Publishing Language: English
Author: Erik Lutz
ISBN: 9783668253575
Publisher: GRIN Publishing
Publication: July 5, 2016
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2016 in the subject English Language and Literature Studies - Literature, grade: 1,3, Catholic University Eichstätt-Ingolstadt, course: Seminar: Representation of Ireland in literature and media from 1900-2015, language: English, abstract: This paper is about the phenomenon of Irish rap in general and about the rapper Jun Tzu in particular. His song The Bridge is being analysed in this work. Questions are: In which way is Irish hiphop music representative and what is it representative for? Irish Rap. This term alone might take the reader a while to fully grasp - and hopefully not much longer to acknowledge. Indeed, the worldwide phenomenon of rap, the musical and vocal element of the hip-hop culture, also has inspired artists on the green isle. As Mitchell states: 'Hip-hop and rap cannot be viewed simply as an expression of African American culture; it has become a vehicle for global youth affiliations and a tool for reworking local identity all over the world.' (Mitchell, 2001, pp. 1f) Out of a number of Irish artists, a rapper called Jun Tzu has gained popularity over the last years reflecting Northern Irish history in his lyrics. Today, Irish rap music is known by a broader audience than ever before. The reason is the online video platform Youtube. Over the last years, it became appealing to a mainstream audience and changed marketing and presentation habits drastically. With over 100 hours of uploaded video material per minute and more than two billion video views per day, the video portal nowadays gives artists a platform to be heard and seen on, that has never before existed. Understandably, this has changed and - through faster distribution - accelerated cultural development when it comes to rap. Artists can react to other artists' works faster than 15 years ago and musicians do not need to publish their music by releasing a CD via a company. The probably most important effect of all: as soon as one owns a computer or even smartphone with internet access, he has a potentially limitless audience for his releases. This gives a special chance especially to Irish rappers whose music would otherwise not be distributed by big music companies in Europe, because too few people would buy the music and the marketing would just not be profitable. A major profiteer of this development is the Irish rapper Jun Tzu, who became known to a broader audience via a BBC documentary he was featured in, that had been distributed via the video platform.

Erik Lutz wuchs in Bayern nahe Ingolstadt auf, wo er das humanistische Reuchlin-Gymnasium besuchte. Während seines Studiums an der katholischen Universität Eichstätt-Ingolstadt entdeckte er seine Faszination für Kommunikation, sprachliche Vorgänge und zwischenmenschliche Beziehungen. Zu seinen Spezialgebieten zählt die Pragmatik.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2016 in the subject English Language and Literature Studies - Literature, grade: 1,3, Catholic University Eichstätt-Ingolstadt, course: Seminar: Representation of Ireland in literature and media from 1900-2015, language: English, abstract: This paper is about the phenomenon of Irish rap in general and about the rapper Jun Tzu in particular. His song The Bridge is being analysed in this work. Questions are: In which way is Irish hiphop music representative and what is it representative for? Irish Rap. This term alone might take the reader a while to fully grasp - and hopefully not much longer to acknowledge. Indeed, the worldwide phenomenon of rap, the musical and vocal element of the hip-hop culture, also has inspired artists on the green isle. As Mitchell states: 'Hip-hop and rap cannot be viewed simply as an expression of African American culture; it has become a vehicle for global youth affiliations and a tool for reworking local identity all over the world.' (Mitchell, 2001, pp. 1f) Out of a number of Irish artists, a rapper called Jun Tzu has gained popularity over the last years reflecting Northern Irish history in his lyrics. Today, Irish rap music is known by a broader audience than ever before. The reason is the online video platform Youtube. Over the last years, it became appealing to a mainstream audience and changed marketing and presentation habits drastically. With over 100 hours of uploaded video material per minute and more than two billion video views per day, the video portal nowadays gives artists a platform to be heard and seen on, that has never before existed. Understandably, this has changed and - through faster distribution - accelerated cultural development when it comes to rap. Artists can react to other artists' works faster than 15 years ago and musicians do not need to publish their music by releasing a CD via a company. The probably most important effect of all: as soon as one owns a computer or even smartphone with internet access, he has a potentially limitless audience for his releases. This gives a special chance especially to Irish rappers whose music would otherwise not be distributed by big music companies in Europe, because too few people would buy the music and the marketing would just not be profitable. A major profiteer of this development is the Irish rapper Jun Tzu, who became known to a broader audience via a BBC documentary he was featured in, that had been distributed via the video platform.

Erik Lutz wuchs in Bayern nahe Ingolstadt auf, wo er das humanistische Reuchlin-Gymnasium besuchte. Während seines Studiums an der katholischen Universität Eichstätt-Ingolstadt entdeckte er seine Faszination für Kommunikation, sprachliche Vorgänge und zwischenmenschliche Beziehungen. Zu seinen Spezialgebieten zählt die Pragmatik.

More books from GRIN Publishing

Cover of the book Celie's process of finding a voice and self-fulfillment In Alice Walker's 'The Color Purple' by Erik Lutz
Cover of the book Asian American male identity - A review of the syllabus from a perspective of male studies by Erik Lutz
Cover of the book International Human Rights Law and Indigenous Peoples by Erik Lutz
Cover of the book Obstacles to Fulfilling the Parental Canonical Duties in the Field of Catholic Education by Erik Lutz
Cover of the book Where to live? - The Houses in 'Howards End' by Erik Lutz
Cover of the book The Historical Development of 'Food Regimes' and Their Influence on the World's Economy by Erik Lutz
Cover of the book Choose Your Words Wisely. How Laypeople's Health Decisions are Shaped by Presentation Format by Erik Lutz
Cover of the book Entry strategy for Carrefour for entry into the UK market by Erik Lutz
Cover of the book Ethics in Management Consulting by Erik Lutz
Cover of the book Culture and Oral Health by Erik Lutz
Cover of the book Kant and the Liberal Democratic Peace Theory - the Cases of Kosovo, Iraq and Afghanistan by Erik Lutz
Cover of the book Stylistic Analysis of James Joyces 'Eveline' by Erik Lutz
Cover of the book Ethics as an Ascetic Experience - Power, Language and the Ambiguity of the Visible in Michel Foucault by Erik Lutz
Cover of the book The Language Acquisition of Twins and Twin Language by Erik Lutz
Cover of the book United States of America's Foreign Policy in the Security of Asia-Pacific Region by Erik Lutz
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy