The Rock Cover Song

Culture, History, Politics

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture, Entertainment, Music, History
Cover of the book The Rock Cover Song by Doyle Greene, McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Doyle Greene ISBN: 9781476615073
Publisher: McFarland & Company, Inc., Publishers Publication: March 13, 2014
Imprint: Language: English
Author: Doyle Greene
ISBN: 9781476615073
Publisher: McFarland & Company, Inc., Publishers
Publication: March 13, 2014
Imprint:
Language: English

Cover songs operate as a form of cultural discourse across various musical genres and different societal, historical and political conditions. Case studies include a comparative analysis of Jimi Hendrix’s and Whitney Houston’s versions of “The Star-Spangled Banner” as well as a mapping of the trajectory of “(I Can’t Get No) Satisfaction” from the original version by the Rolling Stones through cover versions by Otis Redding, Devo, and Britney Spears. The radical deconstruction of pop and rock songs by the Residents and Laibach is also examined, with additional studies of cover songs by such as Van Halen, Kim Wilde, Rufus Harley, the Four Tops, Pat Boone and Johnny Cash. Rather than questions of quality or how a cover song measures up as “better or worse” than other versions, this book focuses on the ideological implications and social stakes of the “same old songs” as they are reconfigured to consider, comment on and confront political issues of gender, sexuality, race, the nation-state and the generation gap.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Cover songs operate as a form of cultural discourse across various musical genres and different societal, historical and political conditions. Case studies include a comparative analysis of Jimi Hendrix’s and Whitney Houston’s versions of “The Star-Spangled Banner” as well as a mapping of the trajectory of “(I Can’t Get No) Satisfaction” from the original version by the Rolling Stones through cover versions by Otis Redding, Devo, and Britney Spears. The radical deconstruction of pop and rock songs by the Residents and Laibach is also examined, with additional studies of cover songs by such as Van Halen, Kim Wilde, Rufus Harley, the Four Tops, Pat Boone and Johnny Cash. Rather than questions of quality or how a cover song measures up as “better or worse” than other versions, this book focuses on the ideological implications and social stakes of the “same old songs” as they are reconfigured to consider, comment on and confront political issues of gender, sexuality, race, the nation-state and the generation gap.

More books from McFarland & Company, Inc., Publishers

Cover of the book The Medieval Filmscape by Doyle Greene
Cover of the book The Man Who Made the Jailhouse Rock by Doyle Greene
Cover of the book Grimm Pictures by Doyle Greene
Cover of the book The Science Fiction Reboot by Doyle Greene
Cover of the book Wizards vs. Muggles by Doyle Greene
Cover of the book J.L. Wilkinson and the Kansas City Monarchs by Doyle Greene
Cover of the book P.D. James by Doyle Greene
Cover of the book John Deere Snowmobiles by Doyle Greene
Cover of the book Black Ball: A Negro Leagues Journal, Vol. 8 by Doyle Greene
Cover of the book How Zombies Conquered Popular Culture by Doyle Greene
Cover of the book Charles McGraw by Doyle Greene
Cover of the book "Throw the book away" by Doyle Greene
Cover of the book The Story of a Forest by Doyle Greene
Cover of the book Vietnam-Perkasie by Doyle Greene
Cover of the book Automobile Manufacturers of Cleveland and Ohio, 1864-1942 by Doyle Greene
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy