The Role of the Critic

Nonfiction, Entertainment, Performing Arts, Theatre, Acting & Auditioning, Fiction & Literature, Drama
Cover of the book The Role of the Critic by Nicholas Dromgoole, Oberon Books
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Author: Nicholas Dromgoole ISBN: 9781849432962
Publisher: Oberon Books Publication: June 18, 2012
Imprint: Oberon Books Language: English
Author: Nicholas Dromgoole
ISBN: 9781849432962
Publisher: Oberon Books
Publication: June 18, 2012
Imprint: Oberon Books
Language: English

Nicholas Dromgoole has been a prominent and respected drama and dance critic for most of his adult life. Who better therefore to take the reader through the role of this often misunderstood animal?

This concise guide to the role of the critic will surely prove to be a great addition to the bookshelves of all theatre lovers.

‘A thoughtful and enlightening book…. Scholarly but accessible… there’s plenty for performing arts creators to think about’ - Susan Elkin, The Stage

‘Dromgoole carves a travelogue through a changing landscape of models of thought…gliding elegantly into postmodernism and inviting current critics to remember it’s the audience that dictates taste first and foremost, declaring that critics ought to be a humble breed of cultural operators.’ – Exuent Magazine

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Nicholas Dromgoole has been a prominent and respected drama and dance critic for most of his adult life. Who better therefore to take the reader through the role of this often misunderstood animal?

This concise guide to the role of the critic will surely prove to be a great addition to the bookshelves of all theatre lovers.

‘A thoughtful and enlightening book…. Scholarly but accessible… there’s plenty for performing arts creators to think about’ - Susan Elkin, The Stage

‘Dromgoole carves a travelogue through a changing landscape of models of thought…gliding elegantly into postmodernism and inviting current critics to remember it’s the audience that dictates taste first and foremost, declaring that critics ought to be a humble breed of cultural operators.’ – Exuent Magazine

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