The School for Scandal

Fiction & Literature, Drama, Nonfiction, Entertainment
Cover of the book The School for Scandal by Richard Brinsley Sheridan, Bloomsbury Publishing
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Author: Richard Brinsley Sheridan ISBN: 9781408145036
Publisher: Bloomsbury Publishing Publication: May 29, 2014
Imprint: Methuen Drama Language: English
Author: Richard Brinsley Sheridan
ISBN: 9781408145036
Publisher: Bloomsbury Publishing
Publication: May 29, 2014
Imprint: Methuen Drama
Language: English

Enduringly popular less for its plots than for its verbal brilliance
and wit, The School for Scandal (1777) was the most frequently
performed play of its time. Sir Peter Teazle has made the perennial
mistake of elderly bachelors in English comedy and married a much
younger wife in the hope that she will be too innocent to cross him. In
fact, Lady Teazle spends her time with Lady Sneerwell and the worst set
of scandalmongers in town, who have a beady eye on Charles Surface, the
reckless young libertine, in expectation of seeing him ruined. Charles,
however, turns out to possess the sterling virtues of generosity and
loyalty to friends and family; and it is his hypocritical brother
Joseph who ends up the villain of the piece. This edition discusses
Sheridan's earlier drafts for the play and sets it into its theatrical
context of anti-sentimentalism and its social context of the London
High Society in which Sheridan had begun to move.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Enduringly popular less for its plots than for its verbal brilliance
and wit, The School for Scandal (1777) was the most frequently
performed play of its time. Sir Peter Teazle has made the perennial
mistake of elderly bachelors in English comedy and married a much
younger wife in the hope that she will be too innocent to cross him. In
fact, Lady Teazle spends her time with Lady Sneerwell and the worst set
of scandalmongers in town, who have a beady eye on Charles Surface, the
reckless young libertine, in expectation of seeing him ruined. Charles,
however, turns out to possess the sterling virtues of generosity and
loyalty to friends and family; and it is his hypocritical brother
Joseph who ends up the villain of the piece. This edition discusses
Sheridan's earlier drafts for the play and sets it into its theatrical
context of anti-sentimentalism and its social context of the London
High Society in which Sheridan had begun to move.

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