The Settlement of International Cultural Heritage Disputes

Nonfiction, Reference & Language, Law, International, Social & Cultural Studies, Social Science
Cover of the book The Settlement of International Cultural Heritage Disputes by Alessandro Chechi, OUP Oxford
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Alessandro Chechi ISBN: 9780191009099
Publisher: OUP Oxford Publication: March 13, 2014
Imprint: OUP Oxford Language: English
Author: Alessandro Chechi
ISBN: 9780191009099
Publisher: OUP Oxford
Publication: March 13, 2014
Imprint: OUP Oxford
Language: English

The past forty years have seen a wide proliferation of disputes under international law concerning cultural heritage. These have included the restitution of stolen art objects or the protection of monuments. Unlike other fields of international law, international cultural heritage law does not have an ad hoc mechanism of dispute settlement. As a result, controversies are to be settled through negotiation or, if it fails, through existing dispute resolution means. This can result in similar cases being settled in different ways, thereby bringing about an incoherent and fragmentary enforcement of the law. This book offers a comprehensive and innovative analysis of the settlement of cultural heritage disputes. This examination is two-fold. First, it assesses the existing legal framework and the available dispute settlement means. Second, it explores the feasibility of two solutions for overcoming the lack of a specialized forum. The first is the establishment of a new international court. The second concerns existing judicial and extra-judicial fora and their interaction through the practice of 'cross-fertilization'. The book focuses on the substance of such interaction, and identifies a number of culturally-sensitive parameters (the 'common rules of adjudication'). It argues that existing judicial and non-judicial fora should adopt a cross-fertilizing perspective to use and disseminate jurisprudence containing these common rules of adjudication. It sets out how such an approach would enhance the effectiveness and coherence of decision-making processes and would be conducive to the development of a lex culturalis. This can be defined as a composite body of rules designed to protect cultural heritage by excluding the mechanical application of the norms established for standard business transactions of ordinary goods.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The past forty years have seen a wide proliferation of disputes under international law concerning cultural heritage. These have included the restitution of stolen art objects or the protection of monuments. Unlike other fields of international law, international cultural heritage law does not have an ad hoc mechanism of dispute settlement. As a result, controversies are to be settled through negotiation or, if it fails, through existing dispute resolution means. This can result in similar cases being settled in different ways, thereby bringing about an incoherent and fragmentary enforcement of the law. This book offers a comprehensive and innovative analysis of the settlement of cultural heritage disputes. This examination is two-fold. First, it assesses the existing legal framework and the available dispute settlement means. Second, it explores the feasibility of two solutions for overcoming the lack of a specialized forum. The first is the establishment of a new international court. The second concerns existing judicial and extra-judicial fora and their interaction through the practice of 'cross-fertilization'. The book focuses on the substance of such interaction, and identifies a number of culturally-sensitive parameters (the 'common rules of adjudication'). It argues that existing judicial and non-judicial fora should adopt a cross-fertilizing perspective to use and disseminate jurisprudence containing these common rules of adjudication. It sets out how such an approach would enhance the effectiveness and coherence of decision-making processes and would be conducive to the development of a lex culturalis. This can be defined as a composite body of rules designed to protect cultural heritage by excluding the mechanical application of the norms established for standard business transactions of ordinary goods.

More books from OUP Oxford

Cover of the book Global Cities and Global Order by Alessandro Chechi
Cover of the book 'Grooming' and the Sexual Abuse of Children by Alessandro Chechi
Cover of the book Managing Money and Discord in the UN by Alessandro Chechi
Cover of the book Belief by Alessandro Chechi
Cover of the book Natural Theology by Alessandro Chechi
Cover of the book The Oxford Dictionary of Literary Terms by Alessandro Chechi
Cover of the book Market Abuse Regulation by Alessandro Chechi
Cover of the book Invitation to the Sociology of International Law by Alessandro Chechi
Cover of the book Justice in Conflict by Alessandro Chechi
Cover of the book Objects by Alessandro Chechi
Cover of the book The Constitution of Freedom by Alessandro Chechi
Cover of the book The Concept of Cultural Genocide by Alessandro Chechi
Cover of the book Medieval Britain: A Very Short Introduction by Alessandro Chechi
Cover of the book A Dictionary of Mechanical Engineering by Alessandro Chechi
Cover of the book Little Women by Alessandro Chechi
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy