The Silence of the Lambs

Critical Essays on a Cannibal, Clarice, and a Nice Chianti

Nonfiction, Entertainment, Film, Direction & Production, History & Criticism, Performing Arts
Cover of the book The Silence of the Lambs by , Rowman & Littlefield Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781442277861
Publisher: Rowman & Littlefield Publishers Publication: October 27, 2016
Imprint: Rowman & Littlefield Publishers Language: English
Author:
ISBN: 9781442277861
Publisher: Rowman & Littlefield Publishers
Publication: October 27, 2016
Imprint: Rowman & Littlefield Publishers
Language: English

One of only three films to-date to win Academy Awards in all five major categories, The Silence of the Lambs marked a sea change in horror films when it debuted, shifting the genre from teen slasher fare of the 1970s to the sophisticated psychological horror that characterizes acclaimed films today. Praised by some as the first true feminist thriller, it has drawn criticism from others for perpetuating narratives of crimes against women and demonizing its queer character. Regardless of the controversy, this film is a perennial favorite and even made it into AFI’s list of top 100 movies of all time.

In The Silence of the Lambs*: Critical Essays on a Cannibal, Clarice, and a Nice Chianti*, editor Cynthia J. Miller compiles fifteen essays, contributed by authors from a wide range of disciplines, which are divided into three sections, each approaching the film from a different vantage point: “Situating the Silence” looks at the film in its cultural and historical context—as an adaptation, popular culture icon, and as an element in genre and character history; “Dissecting Evil” takes a closer look at portrayals of evil in the film, in both Hannibal Lecter and Buffalo Bill; and “Minds, Hearts, and Body Parts” offers critical explorations of gender, patriarchy, class, Orientalism, and humor as lenses for continued contemporary analysis of this classic film.

Written accessibly, this collection of essays also introduces readers to forensics, semantics, and the psychology of serial killers. The Silence of the Lambs*: Critical Essays on a Cannibal, Clarice, and a Nice Chianti* will be of interest to scholars and fans of horror, thriller, and crime drama films, as well as those interested in film history and the legacy of “Hannibal the Cannibal” in popular culture.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

One of only three films to-date to win Academy Awards in all five major categories, The Silence of the Lambs marked a sea change in horror films when it debuted, shifting the genre from teen slasher fare of the 1970s to the sophisticated psychological horror that characterizes acclaimed films today. Praised by some as the first true feminist thriller, it has drawn criticism from others for perpetuating narratives of crimes against women and demonizing its queer character. Regardless of the controversy, this film is a perennial favorite and even made it into AFI’s list of top 100 movies of all time.

In The Silence of the Lambs*: Critical Essays on a Cannibal, Clarice, and a Nice Chianti*, editor Cynthia J. Miller compiles fifteen essays, contributed by authors from a wide range of disciplines, which are divided into three sections, each approaching the film from a different vantage point: “Situating the Silence” looks at the film in its cultural and historical context—as an adaptation, popular culture icon, and as an element in genre and character history; “Dissecting Evil” takes a closer look at portrayals of evil in the film, in both Hannibal Lecter and Buffalo Bill; and “Minds, Hearts, and Body Parts” offers critical explorations of gender, patriarchy, class, Orientalism, and humor as lenses for continued contemporary analysis of this classic film.

Written accessibly, this collection of essays also introduces readers to forensics, semantics, and the psychology of serial killers. The Silence of the Lambs*: Critical Essays on a Cannibal, Clarice, and a Nice Chianti* will be of interest to scholars and fans of horror, thriller, and crime drama films, as well as those interested in film history and the legacy of “Hannibal the Cannibal” in popular culture.

More books from Rowman & Littlefield Publishers

Cover of the book Montesquieu's Science of Politics by
Cover of the book Kazaaam! Splat! Ploof! by
Cover of the book Chicanas and Chicanos in Contemporary Society by
Cover of the book Diversity, Equity, and Inclusion by
Cover of the book Ministry Greenhouse by
Cover of the book Freedom in the World 2011 by
Cover of the book Boxing by
Cover of the book The Urban Racial State by
Cover of the book Rethinking Library Technical Services by
Cover of the book The Real Drug Abusers by
Cover of the book Women's Bands in America by
Cover of the book Get the Callback by
Cover of the book Coming for to Carry Me Home by
Cover of the book Celtic Revival? by
Cover of the book Registration Methods for the Small Museum by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy