The Space Between

Literary Epiphany in the Work of Annie Dillard

Fiction & Literature, Anthologies
Cover of the book The Space Between by Sandra Humble Johnson, The Kent State University Press
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Author: Sandra Humble Johnson ISBN: 9781612770529
Publisher: The Kent State University Press Publication: January 28, 2011
Imprint: The Kent State University Press Language: English
Author: Sandra Humble Johnson
ISBN: 9781612770529
Publisher: The Kent State University Press
Publication: January 28, 2011
Imprint: The Kent State University Press
Language: English

Annie Dillard, a foremost practitioner of the literary epiphany, has become a representative of a necromantic movement that combines the ecological interest of wilderness literature with the aesthetics of a highly stylized literature. This first full-length study of the Pulitzer prize-winning essayist considers her as wilderness philosopher, religious mystic, professional critic, and arch-romantic.

Sandra Humble Johnson moves Dillard from the category of nature writer to the area of aesthetics as she examines the importance of literary epiphany—a distinctive type of “illumination”—to her work. She then explores how Dillard, through her own peculiar use of language, describes and creates these moments of illumination, or “dots” of self, for the reader.

Johnson also reveals Dillard’s relationship with other writers who practiced this same literary device: William Wordsworth in his “spots of time,” T.S. Eliot and his “still points,” and Gerard Manley Hopkins through his “inscape.” In addition, Johnson shows how the reader experiences a similar yet personal epiphany in sharing the writer’s moment of illumination and further interprets how Dillard’s absorption with pain, violence, and beauty is resolved in the nature of language itself.

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Annie Dillard, a foremost practitioner of the literary epiphany, has become a representative of a necromantic movement that combines the ecological interest of wilderness literature with the aesthetics of a highly stylized literature. This first full-length study of the Pulitzer prize-winning essayist considers her as wilderness philosopher, religious mystic, professional critic, and arch-romantic.

Sandra Humble Johnson moves Dillard from the category of nature writer to the area of aesthetics as she examines the importance of literary epiphany—a distinctive type of “illumination”—to her work. She then explores how Dillard, through her own peculiar use of language, describes and creates these moments of illumination, or “dots” of self, for the reader.

Johnson also reveals Dillard’s relationship with other writers who practiced this same literary device: William Wordsworth in his “spots of time,” T.S. Eliot and his “still points,” and Gerard Manley Hopkins through his “inscape.” In addition, Johnson shows how the reader experiences a similar yet personal epiphany in sharing the writer’s moment of illumination and further interprets how Dillard’s absorption with pain, violence, and beauty is resolved in the nature of language itself.

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