The Supersensible in Kants «Critique of Judgment»

Nonfiction, Art & Architecture, General Art, Colour, Religion & Spirituality, Philosophy, Aesthetics
Cover of the book The Supersensible in Kants «Critique of Judgment» by Julie N. Books, Peter Lang
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Julie N. Books ISBN: 9781454199366
Publisher: Peter Lang Publication: December 11, 2015
Imprint: Peter Lang Inc., International Academic Publishers Language: English
Author: Julie N. Books
ISBN: 9781454199366
Publisher: Peter Lang
Publication: December 11, 2015
Imprint: Peter Lang Inc., International Academic Publishers
Language: English

In this close analysis of Immanuel Kant’s aesthetics in his Critique of Judgment, Dr. Julie N. Books, explains why Kant fails to provide a convincing basis for his desired necessity and universality of our aesthetic judgments about beauty. Drawing upon her extensive background in the visual arts, art history, and philosophy, Dr. Books provides a unique discussion of Kant’s supersensible, illuminating how it cannot justify his a priori nature of our aesthetic judgments about beauty. She uses examples from the history of art, including paintings by Michelangelo, Caravaggio, Rubens, and Constable, to support her views. This book will make a significant addition to courses on the philosophy of Kant, aesthetics, philosophy of art, metaphysics, the history of Western philosophy, ethics, psychology, and art history.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In this close analysis of Immanuel Kant’s aesthetics in his Critique of Judgment, Dr. Julie N. Books, explains why Kant fails to provide a convincing basis for his desired necessity and universality of our aesthetic judgments about beauty. Drawing upon her extensive background in the visual arts, art history, and philosophy, Dr. Books provides a unique discussion of Kant’s supersensible, illuminating how it cannot justify his a priori nature of our aesthetic judgments about beauty. She uses examples from the history of art, including paintings by Michelangelo, Caravaggio, Rubens, and Constable, to support her views. This book will make a significant addition to courses on the philosophy of Kant, aesthetics, philosophy of art, metaphysics, the history of Western philosophy, ethics, psychology, and art history.

More books from Peter Lang

Cover of the book Das betriebsverfassungsrechtliche Verbot parteipolitischer Betaetigung im Betrieb by Julie N. Books
Cover of the book Operation Welcome by Julie N. Books
Cover of the book El juramento ante Dios, y lealtad contra el amor by Julie N. Books
Cover of the book Reading and Teaching Ivor Goodson by Julie N. Books
Cover of the book Individuierungsverlauf eines Rechtsextremisten by Julie N. Books
Cover of the book Unequal Friendship by Julie N. Books
Cover of the book Wettbewerbliche Ausschreibung kommunaler Investorenprojekte by Julie N. Books
Cover of the book Fractured by Julie N. Books
Cover of the book Fuehrungsaufsicht by Julie N. Books
Cover of the book Parody and Palimpsest by Julie N. Books
Cover of the book LActe inqualifiable, ou le meurtre au féminin / Unspeakable Acts: Murder by Women by Julie N. Books
Cover of the book Mutterschutz fuer GmbH-Geschaeftsfuehrerinnen by Julie N. Books
Cover of the book Das II. Vatikanische Konzil und die Wissenschaft der Theologie by Julie N. Books
Cover of the book Deutsche und kamerunische Jugendsprache im Kontrast by Julie N. Books
Cover of the book Symbolic Patterns of Childbirth by Julie N. Books
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy