The Three Perils Of Man

Fiction & Literature, Classics
Cover of the book The Three Perils Of Man by James Hogg, Canongate Books
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Author: James Hogg ISBN: 9781847674647
Publisher: Canongate Books Publication: July 1, 2010
Imprint: Language: English
Author: James Hogg
ISBN: 9781847674647
Publisher: Canongate Books
Publication: July 1, 2010
Imprint:
Language: English
Edited and introduced by Douglas Gifford. The Three Perils of Man is regarded as Hogg’s most ambitious work of fiction. The book’s extraordinary combination of the fantastic, the funny, the serious and the historically realistic must be unique in literature. The adventures of its characters, told with the author’s characteristically bold simplicity, are many, mad, and breathtakingly fast. Ranging from Galloway to Northumberland, the main focus of the book is to be found in the Scottish Borders. Hogg knew and loved the Borders well, and the book is full of their oral tradition and local lore. In his attempt to synthesise this material with history, romance and the high literary ideals of his time, Hogg’s nearest modern parallels would be a combination of Tolkien and Iain Banks. Hogg’s fusion of traditional folklore and innovative style was viewed as an anachronism by his contemporaries, and it is only now that his work is recognised s one of the most original and masterly in the Scottish canon.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Edited and introduced by Douglas Gifford. The Three Perils of Man is regarded as Hogg’s most ambitious work of fiction. The book’s extraordinary combination of the fantastic, the funny, the serious and the historically realistic must be unique in literature. The adventures of its characters, told with the author’s characteristically bold simplicity, are many, mad, and breathtakingly fast. Ranging from Galloway to Northumberland, the main focus of the book is to be found in the Scottish Borders. Hogg knew and loved the Borders well, and the book is full of their oral tradition and local lore. In his attempt to synthesise this material with history, romance and the high literary ideals of his time, Hogg’s nearest modern parallels would be a combination of Tolkien and Iain Banks. Hogg’s fusion of traditional folklore and innovative style was viewed as an anachronism by his contemporaries, and it is only now that his work is recognised s one of the most original and masterly in the Scottish canon.

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