The Will to Technology and the Culture of Nihilism

Heidegger, Marx, Nietzsche

Nonfiction, Science & Nature, Technology, Social Aspects, Social & Cultural Studies, Social Science, Anthropology, Religion & Spirituality, Philosophy
Cover of the book The Will to Technology and the Culture of Nihilism by Arthur Kroker, University of Toronto Press, Scholarly Publishing Division
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Arthur Kroker ISBN: 9781442658660
Publisher: University of Toronto Press, Scholarly Publishing Division Publication: December 15, 2004
Imprint: Language: English
Author: Arthur Kroker
ISBN: 9781442658660
Publisher: University of Toronto Press, Scholarly Publishing Division
Publication: December 15, 2004
Imprint:
Language: English

In The Will to Technology and the Culture of Nihilism, Arthur Kroker explores the future of the 21st century in the language of technological destiny. Presenting Martin Heidegger, Karl Marx, and Friedrich Nietzsche as prophets of technological nihilism, Kroker argues that every aspect of contemporary culture, society, and politics is coded by the dynamic unfolding of the 'will to technology.'

Moving between cultural history, our digital present, and the biotic future, Kroker theorizes on the relationship between human bodies and posthuman technology, and more specifically, wonders if the body of work offered by thinkers like Heidegger, Marx, and Nietzsche is a part of our past or a harbinger of our technological future. Heidegger, Marx, and Nietzsche intensify our understanding of the contemporary cultural climate. Heidegger's vision posits an increasingly technical society before which we have become 'objectless objects'– driftworks in a 'culture of boredom.' In Marx, the disciplining of capital itself by the will to technology is a code of globalization, first announced as streamed capitalism. Nietzsche mediates between them, envisioning in the gathering shadows of technological society the emergent signs of a culture of nihilism. Like Marx, he insists on thinking of the question of technology in terms of its material signs.

In The Will to Technology and the Culture of Nihilism, Kroker consistently enacts an invigorating and innovative vision, bringing together critical theory, art, and politics to reveal the philosophic apparatus of technoculture.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In The Will to Technology and the Culture of Nihilism, Arthur Kroker explores the future of the 21st century in the language of technological destiny. Presenting Martin Heidegger, Karl Marx, and Friedrich Nietzsche as prophets of technological nihilism, Kroker argues that every aspect of contemporary culture, society, and politics is coded by the dynamic unfolding of the 'will to technology.'

Moving between cultural history, our digital present, and the biotic future, Kroker theorizes on the relationship between human bodies and posthuman technology, and more specifically, wonders if the body of work offered by thinkers like Heidegger, Marx, and Nietzsche is a part of our past or a harbinger of our technological future. Heidegger, Marx, and Nietzsche intensify our understanding of the contemporary cultural climate. Heidegger's vision posits an increasingly technical society before which we have become 'objectless objects'– driftworks in a 'culture of boredom.' In Marx, the disciplining of capital itself by the will to technology is a code of globalization, first announced as streamed capitalism. Nietzsche mediates between them, envisioning in the gathering shadows of technological society the emergent signs of a culture of nihilism. Like Marx, he insists on thinking of the question of technology in terms of its material signs.

In The Will to Technology and the Culture of Nihilism, Kroker consistently enacts an invigorating and innovative vision, bringing together critical theory, art, and politics to reveal the philosophic apparatus of technoculture.

More books from University of Toronto Press, Scholarly Publishing Division

Cover of the book Thinking Radical Democracy by Arthur Kroker
Cover of the book Barbarian Play: Plautus' Roman Comedy by Arthur Kroker
Cover of the book Remodelling Communication by Arthur Kroker
Cover of the book Schooling for Life by Arthur Kroker
Cover of the book Babylonian Historical-Literary Texts by Arthur Kroker
Cover of the book Lowering Higher Education by Arthur Kroker
Cover of the book The Court Book of Mende and the Secular Lordship of the Bishop by Arthur Kroker
Cover of the book The Last Day, The Last Hour by Arthur Kroker
Cover of the book Mathematical Recreations & Essays by Arthur Kroker
Cover of the book Steel City by Arthur Kroker
Cover of the book Industrial Relations by Arthur Kroker
Cover of the book Northrop Frye's Uncollected Prose by Arthur Kroker
Cover of the book A Guide to Writing in the Sciences by Arthur Kroker
Cover of the book On the Idea of a University by Arthur Kroker
Cover of the book The Poetics of Imitation in the Italian Theatre of the Renaissance by Arthur Kroker
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy