The Women Who Knew Too Much

Hitchcock and Feminist Theory

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Social & Cultural Studies, Social Science
Cover of the book The Women Who Knew Too Much by Tania Modleski, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Tania Modleski ISBN: 9781317417286
Publisher: Taylor and Francis Publication: August 11, 2015
Imprint: Routledge Language: English
Author: Tania Modleski
ISBN: 9781317417286
Publisher: Taylor and Francis
Publication: August 11, 2015
Imprint: Routledge
Language: English

Originally published in 1988, The Women Who Knew Too Much remains a classic work in film theory and feminist criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic "master of suspense." The third edition features an interview with the author by David Greven, in which he and Modleski reflect on how feminist and queer approaches to Hitchcock studies may be brought into dialogue. A teaching guide and discussion questions by Ned Schantz help instructors and students to delve into this seminal work of feminist film theory.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Originally published in 1988, The Women Who Knew Too Much remains a classic work in film theory and feminist criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic "master of suspense." The third edition features an interview with the author by David Greven, in which he and Modleski reflect on how feminist and queer approaches to Hitchcock studies may be brought into dialogue. A teaching guide and discussion questions by Ned Schantz help instructors and students to delve into this seminal work of feminist film theory.

More books from Taylor and Francis

Cover of the book Topics in the History of Psychology by Tania Modleski
Cover of the book Karl Barth and Post-Reformation Orthodoxy by Tania Modleski
Cover of the book A Guide to Qualitative Meta-synthesis by Tania Modleski
Cover of the book Essays Sociology Knowledge V 5 by Tania Modleski
Cover of the book Legacies of the Comfort Women of World War II by Tania Modleski
Cover of the book Critical Perspectives on Colonialism by Tania Modleski
Cover of the book Liturgy and Architecture by Tania Modleski
Cover of the book Red Light, Blue Light by Tania Modleski
Cover of the book Stream of Consciousness by Tania Modleski
Cover of the book Social Justice and Medical Practice by Tania Modleski
Cover of the book Teaching Thinking Skills across the Middle Years by Tania Modleski
Cover of the book Decolonising Heritage in South Asia by Tania Modleski
Cover of the book Data for Continuous Programmatic Improvement by Tania Modleski
Cover of the book Subjectivity across Media by Tania Modleski
Cover of the book Dynamic Risk Factors by Tania Modleski
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy