The Work of Difference

Modernism, Romanticism, and the Production of Literary Form

Nonfiction, Religion & Spirituality, Philosophy, Aesthetics, Fiction & Literature, Literary Theory & Criticism, Theory
Cover of the book The Work of Difference by Audrey Wasser, Fordham University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Audrey Wasser ISBN: 9780823270071
Publisher: Fordham University Press Publication: March 1, 2016
Imprint: Modern Language Initiative Language: English
Author: Audrey Wasser
ISBN: 9780823270071
Publisher: Fordham University Press
Publication: March 1, 2016
Imprint: Modern Language Initiative
Language: English

The Work of Difference addresses a fundamental ontological question: What is literature? And at the heart of this question, it argues, is the problem of the new. How is it that new works or new forms are possible within the rule-governed orders of history, language use, or the social? How are new works in turn recognizable to already-existing institutions? Tracing the relationship between literature and the problem of newness back to a set of concerns first articulated in early German romanticism, this book goes on to mount a critique of romantic tendencies in contemporary criticism in order, ultimately, to develop an original theory of literary production. Along the way, it offers new readings of major modernist novels by Samuel Beckett, Marcel Proust, and Gertrude Stein.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Work of Difference addresses a fundamental ontological question: What is literature? And at the heart of this question, it argues, is the problem of the new. How is it that new works or new forms are possible within the rule-governed orders of history, language use, or the social? How are new works in turn recognizable to already-existing institutions? Tracing the relationship between literature and the problem of newness back to a set of concerns first articulated in early German romanticism, this book goes on to mount a critique of romantic tendencies in contemporary criticism in order, ultimately, to develop an original theory of literary production. Along the way, it offers new readings of major modernist novels by Samuel Beckett, Marcel Proust, and Gertrude Stein.

More books from Fordham University Press

Cover of the book Summers with Lincoln by Audrey Wasser
Cover of the book A Shot Story by Audrey Wasser
Cover of the book Ecclesiastical Knights by Audrey Wasser
Cover of the book The Varieties of Transcendence by Audrey Wasser
Cover of the book Hidden by Audrey Wasser
Cover of the book Husserl's Missing Technologies by Audrey Wasser
Cover of the book God's Mirror by Audrey Wasser
Cover of the book Futile Pleasures by Audrey Wasser
Cover of the book Artifacts of Thinking by Audrey Wasser
Cover of the book Sabato Rodia's Towers in Watts by Audrey Wasser
Cover of the book Art and Morality by Audrey Wasser
Cover of the book Lyric Apocalypse by Audrey Wasser
Cover of the book Trials of Arab Modernity by Audrey Wasser
Cover of the book What's Queer about Europe? by Audrey Wasser
Cover of the book Public Things by Audrey Wasser
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy