The Worldmakers

Global Imagining in Early Modern Europe

Fiction & Literature, Literary Theory & Criticism, European, Nonfiction, History, Renaissance
Cover of the book The Worldmakers by Ayesha Ramachandran, University of Chicago Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ayesha Ramachandran ISBN: 9780226288826
Publisher: University of Chicago Press Publication: October 13, 2015
Imprint: University of Chicago Press Language: English
Author: Ayesha Ramachandran
ISBN: 9780226288826
Publisher: University of Chicago Press
Publication: October 13, 2015
Imprint: University of Chicago Press
Language: English

In this beautifully conceived book, Ayesha Ramachandran reconstructs the imaginative struggles of early modern artists, philosophers, and writers to make sense of something that we take for granted: the world, imagined as a whole. Once a new, exciting, and frightening concept, “the world” was transformed in the sixteenth and seventeenth centuries. But how could one envision something that no one had ever seen in its totality?

The Worldmakers moves beyond histories of globalization to explore how “the world” itself—variously understood as an object of inquiry, a comprehensive category, and a system of order—was self-consciously shaped by human agents. Gathering an international cast of characters, from Dutch cartographers and French philosophers to Portuguese and English poets, Ramachandran describes a history of firsts: the first world atlas, the first global epic, the first modern attempt to develop a systematic natural philosophy—all part of an effort by early modern thinkers to capture “the world” on the page.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In this beautifully conceived book, Ayesha Ramachandran reconstructs the imaginative struggles of early modern artists, philosophers, and writers to make sense of something that we take for granted: the world, imagined as a whole. Once a new, exciting, and frightening concept, “the world” was transformed in the sixteenth and seventeenth centuries. But how could one envision something that no one had ever seen in its totality?

The Worldmakers moves beyond histories of globalization to explore how “the world” itself—variously understood as an object of inquiry, a comprehensive category, and a system of order—was self-consciously shaped by human agents. Gathering an international cast of characters, from Dutch cartographers and French philosophers to Portuguese and English poets, Ramachandran describes a history of firsts: the first world atlas, the first global epic, the first modern attempt to develop a systematic natural philosophy—all part of an effort by early modern thinkers to capture “the world” on the page.

More books from University of Chicago Press

Cover of the book Revolutionizing Repertoires by Ayesha Ramachandran
Cover of the book Walter Ralegh's "History of the World" and the Historical Culture of the Late Renaissance by Ayesha Ramachandran
Cover of the book The Fisher King by Ayesha Ramachandran
Cover of the book Birth of the Living God by Ayesha Ramachandran
Cover of the book Letters on Ethics by Ayesha Ramachandran
Cover of the book Neither Donkey nor Horse by Ayesha Ramachandran
Cover of the book Generations and Collective Memory by Ayesha Ramachandran
Cover of the book The Market and Other Orders by Ayesha Ramachandran
Cover of the book Brown in the Windy City by Ayesha Ramachandran
Cover of the book The Moral Neoliberal by Ayesha Ramachandran
Cover of the book The Writer's Diet by Ayesha Ramachandran
Cover of the book Character, Scene, and Story by Ayesha Ramachandran
Cover of the book The Dramatic Writer's Companion, Second Edition by Ayesha Ramachandran
Cover of the book The Last Asylum by Ayesha Ramachandran
Cover of the book Stations in the Field by Ayesha Ramachandran
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy