The Worldmakers

Global Imagining in Early Modern Europe

Fiction & Literature, Literary Theory & Criticism, European, Nonfiction, History, Renaissance
Cover of the book The Worldmakers by Ayesha Ramachandran, University of Chicago Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ayesha Ramachandran ISBN: 9780226288826
Publisher: University of Chicago Press Publication: October 13, 2015
Imprint: University of Chicago Press Language: English
Author: Ayesha Ramachandran
ISBN: 9780226288826
Publisher: University of Chicago Press
Publication: October 13, 2015
Imprint: University of Chicago Press
Language: English

In this beautifully conceived book, Ayesha Ramachandran reconstructs the imaginative struggles of early modern artists, philosophers, and writers to make sense of something that we take for granted: the world, imagined as a whole. Once a new, exciting, and frightening concept, “the world” was transformed in the sixteenth and seventeenth centuries. But how could one envision something that no one had ever seen in its totality?

The Worldmakers moves beyond histories of globalization to explore how “the world” itself—variously understood as an object of inquiry, a comprehensive category, and a system of order—was self-consciously shaped by human agents. Gathering an international cast of characters, from Dutch cartographers and French philosophers to Portuguese and English poets, Ramachandran describes a history of firsts: the first world atlas, the first global epic, the first modern attempt to develop a systematic natural philosophy—all part of an effort by early modern thinkers to capture “the world” on the page.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In this beautifully conceived book, Ayesha Ramachandran reconstructs the imaginative struggles of early modern artists, philosophers, and writers to make sense of something that we take for granted: the world, imagined as a whole. Once a new, exciting, and frightening concept, “the world” was transformed in the sixteenth and seventeenth centuries. But how could one envision something that no one had ever seen in its totality?

The Worldmakers moves beyond histories of globalization to explore how “the world” itself—variously understood as an object of inquiry, a comprehensive category, and a system of order—was self-consciously shaped by human agents. Gathering an international cast of characters, from Dutch cartographers and French philosophers to Portuguese and English poets, Ramachandran describes a history of firsts: the first world atlas, the first global epic, the first modern attempt to develop a systematic natural philosophy—all part of an effort by early modern thinkers to capture “the world” on the page.

More books from University of Chicago Press

Cover of the book Backcasts by Ayesha Ramachandran
Cover of the book Making and Unmaking Intellectual Property by Ayesha Ramachandran
Cover of the book Shakespeare Only by Ayesha Ramachandran
Cover of the book The Halle Orphanage as Scientific Community by Ayesha Ramachandran
Cover of the book Greek Tragedies 2 by Ayesha Ramachandran
Cover of the book Plundered Skulls and Stolen Spirits by Ayesha Ramachandran
Cover of the book Arbitrary Rule by Ayesha Ramachandran
Cover of the book Rhetoric and the Digital Humanities by Ayesha Ramachandran
Cover of the book From a View to a Death by Ayesha Ramachandran
Cover of the book Wasting a Crisis by Ayesha Ramachandran
Cover of the book Institutional Foundations of Impersonal Exchange by Ayesha Ramachandran
Cover of the book The Three and a Half Minute Transaction by Ayesha Ramachandran
Cover of the book Seeing Green by Ayesha Ramachandran
Cover of the book Billion-Dollar Fish by Ayesha Ramachandran
Cover of the book The Enigma of Diversity by Ayesha Ramachandran
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy