Theatre Criticism

Changing Landscapes

Nonfiction, Entertainment, Performing Arts, Theatre, History & Criticism, Fiction & Literature, Literary Theory & Criticism, Drama History & Criticism
Cover of the book Theatre Criticism by Duška Radosavljevic, Bloomsbury Publishing
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Author: Duška Radosavljevic ISBN: 9781472577115
Publisher: Bloomsbury Publishing Publication: September 8, 2016
Imprint: Methuen Drama Language: English
Author: Duška Radosavljevic
ISBN: 9781472577115
Publisher: Bloomsbury Publishing
Publication: September 8, 2016
Imprint: Methuen Drama
Language: English

The world of theatre criticism is rapidly changing in its form, function and modes of operation in the twenty-first century.

The dominance of the internet has led to a growing trend of selfappointed theatre critics and bloggers who are changing the focus and purpose of the discussion around live performance. Even though the blogosphere has garnered suspicion and hostility from some mainstream newspaper critics, it has also provided significant intellectual and ideological challenges to the increasingly conservative profile of the professional critic.

This book features 16 commissioned contributions from scholars, arts journalists and bloggers, as well as a small selection of innovative critical practice. Authors from Australia, Canada, Croatia, Germany, Greece, Italy, Latvia, Russia, the UK and the US share their perspectives on relevant historical, theoretical and political contexts influencing the development of the discipline, as well as specific aspects of the contemporary practices and genres of theatre criticism.

The book features an introductory essay by its editor, Duška Radosavljevic.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The world of theatre criticism is rapidly changing in its form, function and modes of operation in the twenty-first century.

The dominance of the internet has led to a growing trend of selfappointed theatre critics and bloggers who are changing the focus and purpose of the discussion around live performance. Even though the blogosphere has garnered suspicion and hostility from some mainstream newspaper critics, it has also provided significant intellectual and ideological challenges to the increasingly conservative profile of the professional critic.

This book features 16 commissioned contributions from scholars, arts journalists and bloggers, as well as a small selection of innovative critical practice. Authors from Australia, Canada, Croatia, Germany, Greece, Italy, Latvia, Russia, the UK and the US share their perspectives on relevant historical, theoretical and political contexts influencing the development of the discipline, as well as specific aspects of the contemporary practices and genres of theatre criticism.

The book features an introductory essay by its editor, Duška Radosavljevic.

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