Theatre, Magic and Philosophy

William Shakespeare, John Dee and the Italian Legacy

Fiction & Literature, Literary Theory & Criticism
Cover of the book Theatre, Magic and Philosophy by Gabriela Dragnea Horvath, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Gabriela Dragnea Horvath ISBN: 9781134767786
Publisher: Taylor and Francis Publication: July 6, 2017
Imprint: Routledge Language: English
Author: Gabriela Dragnea Horvath
ISBN: 9781134767786
Publisher: Taylor and Francis
Publication: July 6, 2017
Imprint: Routledge
Language: English

Analyzing Shakespeare's views on theatre and magic and John Dee's concerns with philosophy and magic in the light of the Italian version of philosophia perennis (mainly Marsilio Ficino, Pico della Mirandola and Giordano Bruno), this book offers a new perspective on the Italian-English cultural dialogue at the Renaissance and its contribution to intellectual history. In an interdisciplinary and intercultural approach, it investigates the structural commonalities of theatre and magic as contiguous to the foundational concepts of perennial philosophy, and explores the idea that the Italian thinkers informed not only natural philosophy and experimentation in England, but also Shakespeare's theatre. The first full length project to consider Shakespeare and John Dee in juxtaposition, this study brings textual and contextual evidence that Gonzalo, an honest old Counsellor in The Tempest, is a plausible theatrical representation of John Dee. At the same time, it places John Dee in the tradition of the philosophia perennis-accounting for what appears to the modern scholar the conflicting nature of his faith and his scientific mind, his powerful fantasy and his need for order and rigor-and clarifies Edward Kelly's role and creative participation in the scrying sessions, regarding him as co-author of the dramatic episodes reported in Dee's spiritual diaries. Finally, it connects the Enochian/Angelic language to the myth of the Adamic language at the core of Italian philosophy and brings evidence that the Enochian is an artificial language originated by applying creatively the analytical instruments of text hermeneutics used in the Cabala.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Analyzing Shakespeare's views on theatre and magic and John Dee's concerns with philosophy and magic in the light of the Italian version of philosophia perennis (mainly Marsilio Ficino, Pico della Mirandola and Giordano Bruno), this book offers a new perspective on the Italian-English cultural dialogue at the Renaissance and its contribution to intellectual history. In an interdisciplinary and intercultural approach, it investigates the structural commonalities of theatre and magic as contiguous to the foundational concepts of perennial philosophy, and explores the idea that the Italian thinkers informed not only natural philosophy and experimentation in England, but also Shakespeare's theatre. The first full length project to consider Shakespeare and John Dee in juxtaposition, this study brings textual and contextual evidence that Gonzalo, an honest old Counsellor in The Tempest, is a plausible theatrical representation of John Dee. At the same time, it places John Dee in the tradition of the philosophia perennis-accounting for what appears to the modern scholar the conflicting nature of his faith and his scientific mind, his powerful fantasy and his need for order and rigor-and clarifies Edward Kelly's role and creative participation in the scrying sessions, regarding him as co-author of the dramatic episodes reported in Dee's spiritual diaries. Finally, it connects the Enochian/Angelic language to the myth of the Adamic language at the core of Italian philosophy and brings evidence that the Enochian is an artificial language originated by applying creatively the analytical instruments of text hermeneutics used in the Cabala.

More books from Taylor and Francis

Cover of the book The Unwritten Grotowski by Gabriela Dragnea Horvath
Cover of the book A Preface to Marlowe by Gabriela Dragnea Horvath
Cover of the book Colloquial Italian 2 by Gabriela Dragnea Horvath
Cover of the book The Art and Science of Working Together by Gabriela Dragnea Horvath
Cover of the book Development, Experience and Curriculum in Primary Education (1984) by Gabriela Dragnea Horvath
Cover of the book Overruling Democracy by Gabriela Dragnea Horvath
Cover of the book The African Diaspora by Gabriela Dragnea Horvath
Cover of the book Memory, Attention, and Aging by Gabriela Dragnea Horvath
Cover of the book Studies in Perception and Action IX by Gabriela Dragnea Horvath
Cover of the book On Sublimation by Gabriela Dragnea Horvath
Cover of the book Forbidden Narratives by Gabriela Dragnea Horvath
Cover of the book The Routledge Companion to Contemporary Brand Management by Gabriela Dragnea Horvath
Cover of the book Chinese Economists on Economic Reform - Collected Works of Wang Mengkui by Gabriela Dragnea Horvath
Cover of the book Surviving Identity by Gabriela Dragnea Horvath
Cover of the book Co-Creative Transactional Analysis by Gabriela Dragnea Horvath
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy