Theodore Watts-Dunton - Poet, Novelist, Critic - The Original Classic Edition
Nonfiction, Reference & Language, Reference, Fiction & Literature
| Author: | James Douglas | ISBN: | 9781486494057 |
| Publisher: | Emereo Publishing | Publication: | March 11, 2013 |
| Imprint: | Emereo Publishing | Language: | English |
| Author: | James Douglas |
| ISBN: | 9781486494057 |
| Publisher: | Emereo Publishing |
| Publication: | March 11, 2013 |
| Imprint: | Emereo Publishing |
| Language: | English |
Finally available, a high quality book of the original classic edition of Theodore Watts-Dunton - Poet, Novelist, Critic. It was previously published by other bona fide publishers, and is now, after many years, back in print.
This is a new and freshly published edition of this culturally important work by James Douglas, which is now, at last, again available to you.
Get the PDF and EPUB NOW as well. Included in your purchase you have Theodore Watts-Dunton - Poet, Novelist, Critic in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW.
Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Theodore Watts-Dunton - Poet, Novelist, Critic:
Look inside the book:
For if there is any permanent vitality in the Renascence of Wonder in modern Europe, if it is not a mere passing mood, if it is really the inevitable expression of the soul of man in a certain stage of civilization (when the sanctions which have made and moulded society are found to be not absolute and eternal, but relative, mundane, ephemeral, and subject to the higher sanctions of unseen powers that work behind ‘the shows of p. 18things’), then perhaps one of the first questions to ask in regard to any imaginative painter of the nineteenth century is, In what relation does he stand to the newly-awakened spirit of romance? ... I do not say that the mere fact of a painter’s or poet’s showing but an imperfect sympathy with the Renascence of Wonder is sufficient to place him below a poet in whom that sympathy is more nearly complete, because we should then be driven to place some of the disciples of Rossetti above our great realistic painters, and we should be driven to place a poet like the author of ‘The Excursion’ and ‘The Prelude’ beneath a poet like the author of ‘The Queen’s Wake’; but we do say that, other things being equal or anything like equal, a painter or poet of our time is to be judged very much by his sympathy with that great movement which we call the Renascence of Wonder—call it so because the word romanticism never did express it even before it had been vulgarized by French poets, dramatists, doctrinaires, and literary harlequins.
Finally available, a high quality book of the original classic edition of Theodore Watts-Dunton - Poet, Novelist, Critic. It was previously published by other bona fide publishers, and is now, after many years, back in print.
This is a new and freshly published edition of this culturally important work by James Douglas, which is now, at last, again available to you.
Get the PDF and EPUB NOW as well. Included in your purchase you have Theodore Watts-Dunton - Poet, Novelist, Critic in EPUB AND PDF format to read on any tablet, eReader, desktop, laptop or smartphone simultaneous - Get it NOW.
Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Theodore Watts-Dunton - Poet, Novelist, Critic:
Look inside the book:
For if there is any permanent vitality in the Renascence of Wonder in modern Europe, if it is not a mere passing mood, if it is really the inevitable expression of the soul of man in a certain stage of civilization (when the sanctions which have made and moulded society are found to be not absolute and eternal, but relative, mundane, ephemeral, and subject to the higher sanctions of unseen powers that work behind ‘the shows of p. 18things’), then perhaps one of the first questions to ask in regard to any imaginative painter of the nineteenth century is, In what relation does he stand to the newly-awakened spirit of romance? ... I do not say that the mere fact of a painter’s or poet’s showing but an imperfect sympathy with the Renascence of Wonder is sufficient to place him below a poet in whom that sympathy is more nearly complete, because we should then be driven to place some of the disciples of Rossetti above our great realistic painters, and we should be driven to place a poet like the author of ‘The Excursion’ and ‘The Prelude’ beneath a poet like the author of ‘The Queen’s Wake’; but we do say that, other things being equal or anything like equal, a painter or poet of our time is to be judged very much by his sympathy with that great movement which we call the Renascence of Wonder—call it so because the word romanticism never did express it even before it had been vulgarized by French poets, dramatists, doctrinaires, and literary harlequins.
