Tim Burton: The Monster and the Crowd

A Post-Jungian Perspective

Nonfiction, Health & Well Being, Psychology, Mental Health, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture
Cover of the book Tim Burton: The Monster and the Crowd by Helena Bassil-Morozow, Taylor and Francis
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Author: Helena Bassil-Morozow ISBN: 9781317723288
Publisher: Taylor and Francis Publication: December 16, 2013
Imprint: Routledge Language: English
Author: Helena Bassil-Morozow
ISBN: 9781317723288
Publisher: Taylor and Francis
Publication: December 16, 2013
Imprint: Routledge
Language: English

Tim Burton’s films are well known for being complex and emotionally powerful. In this book, Helena Bassil-Morozow employs Jungian and post-Jungian concepts of unconscious mental processes along with film semiotics, analysis of narrative devices and cinematic history, to explore the reworking of myth and fairytale in Burton’s gothic fantasy world.

The book explores the idea that Burton’s lonely, rebellious ‘monstrous’ protagonists roam the earth because they are unable to fit into the normalising tendencies of society and become part of ‘the crowd’. Divided into six chapters the book considers the concept of the archetype in various settings focusing on:

  • the child
  • the monster
  • the superhero
  • the genius
  • the maniac
  • the monstrous society.

Tim Burton: The Monster and the Crowd offers an entirely fresh perspective on Tim Burton’s works. The book is essential reading for students and scholars of film or Jungian psychology, as well as anyone interested in critical issues in contemporary culture. It will also be of great help to those fans of Tim Burton who have been searching for a profound academic analysis of his works.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Tim Burton’s films are well known for being complex and emotionally powerful. In this book, Helena Bassil-Morozow employs Jungian and post-Jungian concepts of unconscious mental processes along with film semiotics, analysis of narrative devices and cinematic history, to explore the reworking of myth and fairytale in Burton’s gothic fantasy world.

The book explores the idea that Burton’s lonely, rebellious ‘monstrous’ protagonists roam the earth because they are unable to fit into the normalising tendencies of society and become part of ‘the crowd’. Divided into six chapters the book considers the concept of the archetype in various settings focusing on:

Tim Burton: The Monster and the Crowd offers an entirely fresh perspective on Tim Burton’s works. The book is essential reading for students and scholars of film or Jungian psychology, as well as anyone interested in critical issues in contemporary culture. It will also be of great help to those fans of Tim Burton who have been searching for a profound academic analysis of his works.

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