To See the Saw Movies

Essays on Torture Porn and Post-9/11 Horror

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book To See the Saw Movies by , McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781476603803
Publisher: McFarland & Company, Inc., Publishers Publication: June 6, 2013
Imprint: Language: English
Author:
ISBN: 9781476603803
Publisher: McFarland & Company, Inc., Publishers
Publication: June 6, 2013
Imprint:
Language: English

The Saw films, often derided by critics as “torture porn” and an excuse to show blood and gore, are the highest-grossing horror series in cinema history. In view of their hold on audiences and their controversial content, they deserve study. This first collection of fresh essays by academic authors from Europe, America and Australia addresses the cultural, religious and philosophical facets of the films, investigating how the franchise reflects a post–9/11 shift in U.S. popular culture towards increasing pessimism and how it may be read as a metaphor for the “war on terror”; dissecting how the series explores such issues as freewill and determinism; assessing the films’ representations of the body; and applying a Deleuzian perspective to the franchise.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Saw films, often derided by critics as “torture porn” and an excuse to show blood and gore, are the highest-grossing horror series in cinema history. In view of their hold on audiences and their controversial content, they deserve study. This first collection of fresh essays by academic authors from Europe, America and Australia addresses the cultural, religious and philosophical facets of the films, investigating how the franchise reflects a post–9/11 shift in U.S. popular culture towards increasing pessimism and how it may be read as a metaphor for the “war on terror”; dissecting how the series explores such issues as freewill and determinism; assessing the films’ representations of the body; and applying a Deleuzian perspective to the franchise.

More books from McFarland & Company, Inc., Publishers

Cover of the book The Figure of the Detective by
Cover of the book The Miracle Braves, 1914-1916 by
Cover of the book Town and Gown Relations by
Cover of the book Country Boy by
Cover of the book Amy Tan by
Cover of the book A Sourcebook for Genealogical Research by
Cover of the book Dancing for Young Audiences by
Cover of the book Madness by
Cover of the book Godly Heretics by
Cover of the book The 11th North Carolina Infantry in the Civil War by
Cover of the book Stars of '90s Dance Pop by
Cover of the book Kubrick's Monolith by
Cover of the book Fantasy Femmes of Sixties Cinema by
Cover of the book Captaining the Corps d'Afrique by
Cover of the book Not Just Batman's Butler by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy