Tracking the Master Scribe

Revision through Introduction in Biblical and Mesopotamian Literature

Nonfiction, Religion & Spirituality, Bible & Bible Studies, Old Testament, Criticism & Interpretation, Fiction & Literature, Literary Theory & Criticism, Ancient & Classical
Cover of the book Tracking the Master Scribe by Sara J. Milstein, Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Sara J. Milstein ISBN: 9780190630836
Publisher: Oxford University Press Publication: September 9, 2016
Imprint: Oxford University Press Language: English
Author: Sara J. Milstein
ISBN: 9780190630836
Publisher: Oxford University Press
Publication: September 9, 2016
Imprint: Oxford University Press
Language: English

When we encounter a text, whether ancient or modern, we typically start at the beginning and work our way toward the end. In Tracking the Master Scribe, Sara J. Milstein demonstrates that for biblical and Mesopotamian literature, this habit can lead to misinterpretation. In the ancient Near East, "master scribes"--those who had the authority to produce and revise literature--regularly modified their texts in the course of transmission. One of the most effective techniques for change was to add something new to the front, what Milstein calls "revision through introduction." This method allowed scribes to preserve their received material while simultaneously recasting it. As a result, many biblical and Mesopotamian texts continue to be interpreted solely through the lens of their final contributions. First impressions carry weight. Tracking the Master Scribe demonstrates what is to be gained when we engage questions of literary history in the context of how scribes actually worked. Drawing upon the two earliest corpora that allow us to track large-scale change, the book provides substantial hard evidence of revision through introduction, as well as a set of detailed case studies that offer fresh insight into well-known biblical and Mesopotamian texts. The result is the first comprehensive profile of this key scribal method: one that was ubiquitous in the ancient Near East and epitomizes the attitudes of the master scribes toward the literature that they left behind.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

When we encounter a text, whether ancient or modern, we typically start at the beginning and work our way toward the end. In Tracking the Master Scribe, Sara J. Milstein demonstrates that for biblical and Mesopotamian literature, this habit can lead to misinterpretation. In the ancient Near East, "master scribes"--those who had the authority to produce and revise literature--regularly modified their texts in the course of transmission. One of the most effective techniques for change was to add something new to the front, what Milstein calls "revision through introduction." This method allowed scribes to preserve their received material while simultaneously recasting it. As a result, many biblical and Mesopotamian texts continue to be interpreted solely through the lens of their final contributions. First impressions carry weight. Tracking the Master Scribe demonstrates what is to be gained when we engage questions of literary history in the context of how scribes actually worked. Drawing upon the two earliest corpora that allow us to track large-scale change, the book provides substantial hard evidence of revision through introduction, as well as a set of detailed case studies that offer fresh insight into well-known biblical and Mesopotamian texts. The result is the first comprehensive profile of this key scribal method: one that was ubiquitous in the ancient Near East and epitomizes the attitudes of the master scribes toward the literature that they left behind.

More books from Oxford University Press

Cover of the book Pleasing Everyone by Sara J. Milstein
Cover of the book Kansas City Jazz by Sara J. Milstein
Cover of the book Identity, Conflict and Politics in Turkey, Iran and Pakistan by Sara J. Milstein
Cover of the book The Riddle of Hume's Treatise by Sara J. Milstein
Cover of the book Opera for the People by Sara J. Milstein
Cover of the book Making Crime Pay by Sara J. Milstein
Cover of the book The American Society of Addiction Medicine Handbook on Pain and Addiction by Sara J. Milstein
Cover of the book Out in the Periphery by Sara J. Milstein
Cover of the book LGBTQ Divorce and Relationship Dissolution by Sara J. Milstein
Cover of the book Far from the Madding Crowd Level 5 Oxford Bookworms Library by Sara J. Milstein
Cover of the book Theocritus of Syracuse: Oxford Bibliographies Online Research Guide by Sara J. Milstein
Cover of the book Harriet Beecher Stowe by Sara J. Milstein
Cover of the book Understanding Somatization in the Practice of Clinical Neuropsychology by Sara J. Milstein
Cover of the book The Secret Garland by Sara J. Milstein
Cover of the book Derecho procesal civil by Sara J. Milstein
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy