Transcending Textuality

Quevedo and Political Authority in the Age of Print

Fiction & Literature, Literary Theory & Criticism, European, Spanish & Portuguese, Nonfiction, History, Spain & Portugal, Social & Cultural Studies, Political Science, Politics, History & Theory
Cover of the book Transcending Textuality by Ariadna García-Bryce, Penn State University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ariadna García-Bryce ISBN: 9780271078908
Publisher: Penn State University Press Publication: June 3, 2011
Imprint: Penn State University Press Language: English
Author: Ariadna García-Bryce
ISBN: 9780271078908
Publisher: Penn State University Press
Publication: June 3, 2011
Imprint: Penn State University Press
Language: English

In Transcending Textuality, Ariadna García-Bryce provides a fresh look at post-Trent political culture and Francisco de Quevedo’s place within it by examining his works in relation to two potentially rival means of transmitting authority: spectacle and print. Quevedo’s highly theatrical conceptions of power are identified with court ceremony, devotional ritual, monarchical and spiritual imagery, and religious and classical oratory. At the same time, his investment in physical and emotional display is shown to be fraught with concern about the decline of body-centered modes of propagating authority in the increasingly impersonalized world of print. Transcending Textuality shows that Quevedo’s poetics are, in great measure, defined by the attempt to retain in writing the qualities of live physical display.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In Transcending Textuality, Ariadna García-Bryce provides a fresh look at post-Trent political culture and Francisco de Quevedo’s place within it by examining his works in relation to two potentially rival means of transmitting authority: spectacle and print. Quevedo’s highly theatrical conceptions of power are identified with court ceremony, devotional ritual, monarchical and spiritual imagery, and religious and classical oratory. At the same time, his investment in physical and emotional display is shown to be fraught with concern about the decline of body-centered modes of propagating authority in the increasingly impersonalized world of print. Transcending Textuality shows that Quevedo’s poetics are, in great measure, defined by the attempt to retain in writing the qualities of live physical display.

More books from Penn State University Press

Cover of the book Elizabeth Bishop by Ariadna García-Bryce
Cover of the book From Apartheid to Democracy by Ariadna García-Bryce
Cover of the book The Illusion of Civil Society by Ariadna García-Bryce
Cover of the book Landscape into Eco Art by Ariadna García-Bryce
Cover of the book Collective Dreams by Ariadna García-Bryce
Cover of the book Reality’s Fugue by Ariadna García-Bryce
Cover of the book Reorganizing Popular Politics by Ariadna García-Bryce
Cover of the book Do the Poor Count? by Ariadna García-Bryce
Cover of the book Farewell to Visual Studies by Ariadna García-Bryce
Cover of the book Vision, the Gaze, and the Function of the Senses in “Celestina” by Ariadna García-Bryce
Cover of the book Opening Windows onto Hidden Lives by Ariadna García-Bryce
Cover of the book Posthumous America by Ariadna García-Bryce
Cover of the book Finding Kluskap by Ariadna García-Bryce
Cover of the book An Inch or Two of Time by Ariadna García-Bryce
Cover of the book Imperial Lyric by Ariadna García-Bryce
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy