Transnational Horror Across Visual Media

Fragmented Bodies

Nonfiction, Entertainment, Performing Arts, Film, Social & Cultural Studies, Social Science
Cover of the book Transnational Horror Across Visual Media by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781136744914
Publisher: Taylor and Francis Publication: October 15, 2013
Imprint: Routledge Language: English
Author:
ISBN: 9781136744914
Publisher: Taylor and Francis
Publication: October 15, 2013
Imprint: Routledge
Language: English

This volume investigates the horror genre across national boundaries (including locations such as Africa, Turkey, and post-Soviet Russia) and different media forms, illustrating the ways that horror can be theorized through the circulation, reception, and production of transnational media texts. Perhaps more than any other genre, horror is characterized by its ability to be simultaneously aware of the local while able to permeate national boundaries, to function on both regional and international registers. The essays here explore political models and allegories, questions of cult or subcultural media and their distribution practices, the relationship between regional or cultural networks, and the legibility of international horror iconography across distinct media. The book underscores how a discussion of contemporary international horror is not only about genre but about how genre can inform theories of visual cultures and the increasing permeability of their borders.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This volume investigates the horror genre across national boundaries (including locations such as Africa, Turkey, and post-Soviet Russia) and different media forms, illustrating the ways that horror can be theorized through the circulation, reception, and production of transnational media texts. Perhaps more than any other genre, horror is characterized by its ability to be simultaneously aware of the local while able to permeate national boundaries, to function on both regional and international registers. The essays here explore political models and allegories, questions of cult or subcultural media and their distribution practices, the relationship between regional or cultural networks, and the legibility of international horror iconography across distinct media. The book underscores how a discussion of contemporary international horror is not only about genre but about how genre can inform theories of visual cultures and the increasing permeability of their borders.

More books from Taylor and Francis

Cover of the book The Routledge Companion to Britain in the Eighteenth Century by
Cover of the book Science Journalism by
Cover of the book Bahrain, Oman, Qatar, And The Uae by
Cover of the book Balkan Reconstruction by
Cover of the book The Pesticide Problem by
Cover of the book Education Studies by
Cover of the book Teaching for Success by
Cover of the book The Syrian Uprising by
Cover of the book Non-State Actor Dynamics in International Law by
Cover of the book Effective Leadership for School Improvement by
Cover of the book Explorations in African Political Thought by
Cover of the book Global Ethics and Moral Responsibility by
Cover of the book Skin Color and Identity Formation by
Cover of the book Commonwealth Caribbean Corporate Governance by
Cover of the book Prosody and Focus in European Portuguese by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy