Traveling Texts and the Work of Afro-Japanese Cultural Production

Two Haiku and a Microphone

Fiction & Literature, Literary Theory & Criticism, Black, American, Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, African-American Studies
Cover of the book Traveling Texts and the Work of Afro-Japanese Cultural Production by Crystal S. Anderson, Michio Arimitsu, William H. Bridges IV, Nina Cornyetz, Kevin Fellezs, Tia-Simone Gardner, Yoshinobu Hakutani, Noriko Manabe, Anne McKnight, Yuichiro Onishi, Shana L. Redmond, Marvin D. Sterling, Dexter Thomas Jr., Lexington Books
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Author: Crystal S. Anderson, Michio Arimitsu, William H. Bridges IV, Nina Cornyetz, Kevin Fellezs, Tia-Simone Gardner, Yoshinobu Hakutani, Noriko Manabe, Anne McKnight, Yuichiro Onishi, Shana L. Redmond, Marvin D. Sterling, Dexter Thomas Jr. ISBN: 9781498505482
Publisher: Lexington Books Publication: June 24, 2015
Imprint: Lexington Books Language: English
Author: Crystal S. Anderson, Michio Arimitsu, William H. Bridges IV, Nina Cornyetz, Kevin Fellezs, Tia-Simone Gardner, Yoshinobu Hakutani, Noriko Manabe, Anne McKnight, Yuichiro Onishi, Shana L. Redmond, Marvin D. Sterling, Dexter Thomas Jr.
ISBN: 9781498505482
Publisher: Lexington Books
Publication: June 24, 2015
Imprint: Lexington Books
Language: English

This book analyzes the complex conversations taking place in texts of all sorts traveling between Africans, African diasporas, and Japanese across disciplinary, geographic, racial, ethnic, and cultural borders. The volume turns its attention away from questions of representation to ones concerning the generative aspects of transcultural production. The essays trace how, in the process of traveling, the bodies and subjectivities of those working to reimagine the texts transfigure both the texts and themselves.

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This book analyzes the complex conversations taking place in texts of all sorts traveling between Africans, African diasporas, and Japanese across disciplinary, geographic, racial, ethnic, and cultural borders. The volume turns its attention away from questions of representation to ones concerning the generative aspects of transcultural production. The essays trace how, in the process of traveling, the bodies and subjectivities of those working to reimagine the texts transfigure both the texts and themselves.

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