| Author: | Ian Densford | ISBN: | 9781682472347 |
| Publisher: | Naval Institute Press | Publication: | September 15, 2018 |
| Imprint: | Naval Institute Press | Language: | English |
| Author: | Ian Densford |
| ISBN: | 9781682472347 |
| Publisher: | Naval Institute Press |
| Publication: | September 15, 2018 |
| Imprint: | Naval Institute Press |
| Language: | English |
Inspired from assorted first-hand accounts, this fictional story of World War I is an anthropomorphic retelling of that global conflict and the soldiers who experienced the horrors of the front lines and high seas. While horse drawn carts and trains were ordinary sights, automobiles, tanks, submarines, and airplanes made their wartime debuts alongside machine guns, poison gas, and flame throwers. While the nightmares of World War I and the aftermath are sometimes forgotten, this book asks the reader to look again and remember the dead, and to weigh their number against those who would choose war. Conceived as a long, continuous camera pan through the trenches and beyond, the reader is soon buried in mud, corpses, and ruin, emerging on the other side with blurred recollections of lost comrades and a nagging sense of pointless destruction. Ian Densford’s graphic watercolors paired with a spattering of onomatopoeic utterings create an unforgiving tale of the “war to end all wars.”
Inspired from assorted first-hand accounts, this fictional story of World War I is an anthropomorphic retelling of that global conflict and the soldiers who experienced the horrors of the front lines and high seas. While horse drawn carts and trains were ordinary sights, automobiles, tanks, submarines, and airplanes made their wartime debuts alongside machine guns, poison gas, and flame throwers. While the nightmares of World War I and the aftermath are sometimes forgotten, this book asks the reader to look again and remember the dead, and to weigh their number against those who would choose war. Conceived as a long, continuous camera pan through the trenches and beyond, the reader is soon buried in mud, corpses, and ruin, emerging on the other side with blurred recollections of lost comrades and a nagging sense of pointless destruction. Ian Densford’s graphic watercolors paired with a spattering of onomatopoeic utterings create an unforgiving tale of the “war to end all wars.”
