Author: | Aubrey Beardsley | ISBN: | 1230001002980 |
Publisher: | @AnnieRoseBooks | Publication: | January 7, 2018 |
Imprint: | Language: | English |
Author: | Aubrey Beardsley |
ISBN: | 1230001002980 |
Publisher: | @AnnieRoseBooks |
Publication: | January 7, 2018 |
Imprint: | |
Language: | English |
o those who are acquainted with Aubrey Beardsley's essays into the domain of literature no apology for this re-publication is needed—indeed Beardsley's most intimate friends have averred that if his master genius had been turned seriously towards the world of letters, his success would have been as undoubted there as it was in the world of art.
Admirers frequently have expressed a wish to see the literary remains of Beardsley. This volume, in which are gathered together various fragments and personalia, will, I trust, meet the case.
A few of my random recollections of Beardsley's association with "The Yellow Book" perhaps will not be amiss.
Until the publication of the first volume of "The Yellow Book" in 1894, Beardsley was practically unknown, his drawings for "Le Morte D'Arthur" and his marvellous designs illustrating "Salomé" constituting his artistic record. It was at this time, then, that one morning he, with Mr. Henry Harland and myself, during half an hour's chat over our cigarettes at the Hogarth Club, founded the much discussed "Yellow Book." Beardsley became Art Editor, whilst Mr. Harland accepted the post of Literary Editor.
o those who are acquainted with Aubrey Beardsley's essays into the domain of literature no apology for this re-publication is needed—indeed Beardsley's most intimate friends have averred that if his master genius had been turned seriously towards the world of letters, his success would have been as undoubted there as it was in the world of art.
Admirers frequently have expressed a wish to see the literary remains of Beardsley. This volume, in which are gathered together various fragments and personalia, will, I trust, meet the case.
A few of my random recollections of Beardsley's association with "The Yellow Book" perhaps will not be amiss.
Until the publication of the first volume of "The Yellow Book" in 1894, Beardsley was practically unknown, his drawings for "Le Morte D'Arthur" and his marvellous designs illustrating "Salomé" constituting his artistic record. It was at this time, then, that one morning he, with Mr. Henry Harland and myself, during half an hour's chat over our cigarettes at the Hogarth Club, founded the much discussed "Yellow Book." Beardsley became Art Editor, whilst Mr. Harland accepted the post of Literary Editor.