| Author: | C. Sean McGee | ISBN: | 9781301317400 |
| Publisher: | C. Sean McGee | Publication: | January 26, 2013 |
| Imprint: | Smashwords Edition | Language: | English |
| Author: | C. Sean McGee |
| ISBN: | 9781301317400 |
| Publisher: | C. Sean McGee |
| Publication: | January 26, 2013 |
| Imprint: | Smashwords Edition |
| Language: | English |
Through the charred wreckage of one man’s philosophy, an adventure into conscious delusion and dark dystopian fantasy begins as the survivors of The Nest find themselves on three paths where each will endeavor to rein their conscious minds to grasp the philosophy of existence and abate the shackles of conscious Famine as they march onwards towards New Utopia.
On one path, Marcos, having woken naked and amnesic at the scorn of ancient women whose immortality derives from the wearing of young girl’s faces like decorative dresses; is chased through a dense wilderness for the face that he wears whilst drifting in and out of conscious Famine, giving a glimpse into The City that was, one of obligation and Infant Industries.
On the second path, in The Kingdom of the Hound, Ruff the dog is awoken to conscious debate, rationalizing and philosophizing with an ostentatious small Chihuahua called The Bitch Queen over the nature of unconditional love as he fights to save the lives of his human friends from being gamed by savage hounds and monolithic boars.
While on a third path, The Woman will unravel, through conscious delusion, the true extent of her repressions and her loveless abandon as a young girl; Safrine, through childish rhyme, is challenged by a creepy old man into a game of coloured cubes to save her two companions from the effect of The Famine.
Through the charred wreckage of one man’s philosophy, an adventure into conscious delusion and dark dystopian fantasy begins as the survivors of The Nest find themselves on three paths where each will endeavor to rein their conscious minds to grasp the philosophy of existence and abate the shackles of conscious Famine as they march onwards towards New Utopia.
On one path, Marcos, having woken naked and amnesic at the scorn of ancient women whose immortality derives from the wearing of young girl’s faces like decorative dresses; is chased through a dense wilderness for the face that he wears whilst drifting in and out of conscious Famine, giving a glimpse into The City that was, one of obligation and Infant Industries.
On the second path, in The Kingdom of the Hound, Ruff the dog is awoken to conscious debate, rationalizing and philosophizing with an ostentatious small Chihuahua called The Bitch Queen over the nature of unconditional love as he fights to save the lives of his human friends from being gamed by savage hounds and monolithic boars.
While on a third path, The Woman will unravel, through conscious delusion, the true extent of her repressions and her loveless abandon as a young girl; Safrine, through childish rhyme, is challenged by a creepy old man into a game of coloured cubes to save her two companions from the effect of The Famine.
