Vocal Projections

Voices in Documentary

Nonfiction, Science & Nature, Technology, Acoustics & Sound, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Vocal Projections by , Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781501331268
Publisher: Bloomsbury Publishing Publication: October 18, 2018
Imprint: Bloomsbury Academic Language: English
Author:
ISBN: 9781501331268
Publisher: Bloomsbury Publishing
Publication: October 18, 2018
Imprint: Bloomsbury Academic
Language: English

Vocal Projections: Voices in Documentary examines a previously neglected topic in the field of documentary studies: the political, aesthetic, and affective functions that voices assume. On topics ranging from the celebrity voice over to ventriloquism, from rockumentary screams to feminist vocal politics, these essays demonstrate myriad ways in which voices make documentary meaning beyond their expository, evidentiary and authenticating functions.

The international range of contributors offers an innovative approach to the issues relating to voices in documentary. While taking account of the existing paradigm in documentary studies pioneered by Bill Nichols, in which voice is equated with political rhetoric and subjective representation, the contributors move into new territory, addressing current and emerging research in voice, sound, music and posthumanist studies.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Vocal Projections: Voices in Documentary examines a previously neglected topic in the field of documentary studies: the political, aesthetic, and affective functions that voices assume. On topics ranging from the celebrity voice over to ventriloquism, from rockumentary screams to feminist vocal politics, these essays demonstrate myriad ways in which voices make documentary meaning beyond their expository, evidentiary and authenticating functions.

The international range of contributors offers an innovative approach to the issues relating to voices in documentary. While taking account of the existing paradigm in documentary studies pioneered by Bill Nichols, in which voice is equated with political rhetoric and subjective representation, the contributors move into new territory, addressing current and emerging research in voice, sound, music and posthumanist studies.

More books from Bloomsbury Publishing

Cover of the book A History of the Royal Navy by
Cover of the book Floodpath by
Cover of the book March the Ninth by
Cover of the book Pocket PAL: Multiple Intelligences by
Cover of the book With This Ring by
Cover of the book 3 of a Kind by
Cover of the book The History of the European Union by
Cover of the book History of Technology Volume 16 by
Cover of the book Mao by
Cover of the book Volkswagen Beetle by
Cover of the book Interregional Recognition and Enforcement of Civil and Commercial Judgments by
Cover of the book Hair by
Cover of the book Tessa Masterson Will Go to Prom by
Cover of the book Reporting at Wit's End by
Cover of the book Medieval European Armies by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy