What Animals Mean in the Fiction of Modernity

Fiction & Literature, Literary Theory & Criticism
Cover of the book What Animals Mean in the Fiction of Modernity by Philip Armstrong, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Philip Armstrong ISBN: 9781134245178
Publisher: Taylor and Francis Publication: February 19, 2008
Imprint: Routledge Language: English
Author: Philip Armstrong
ISBN: 9781134245178
Publisher: Taylor and Francis
Publication: February 19, 2008
Imprint: Routledge
Language: English

What Animals Mean in the Fiction of Modernity argues that nonhuman animals, and stories about them, have always been closely bound up with the conceptual and material work of modernity.

In the first half of the book, Philip Armstrong examines the function of animals and animal representations in four classic narratives: Robinson Crusoe, Gulliver’s Travels, Frankenstein and Moby-Dick. He then goes on to explore how these stories have been re-worked, in ways that reflect shifting social and environmental forces, by later novelists, including H.G. Wells, Upton Sinclair, D.H. Lawrence, Ernest Hemingway, Franz Kafka, Brigid Brophy, Bernard Malamud, Timothy Findley, Will Self, Margaret Atwood, Yann Martel and J.M. Coetzee.

What Animals Mean in the Fiction of Modernity also introduces readers to new developments in the study of human-animal relations. It does so by attending both to the significance of animals to humans, and to animals’ own purposes or designs; to what animals mean to us, and to what they mean to do, and how they mean to live.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

What Animals Mean in the Fiction of Modernity argues that nonhuman animals, and stories about them, have always been closely bound up with the conceptual and material work of modernity.

In the first half of the book, Philip Armstrong examines the function of animals and animal representations in four classic narratives: Robinson Crusoe, Gulliver’s Travels, Frankenstein and Moby-Dick. He then goes on to explore how these stories have been re-worked, in ways that reflect shifting social and environmental forces, by later novelists, including H.G. Wells, Upton Sinclair, D.H. Lawrence, Ernest Hemingway, Franz Kafka, Brigid Brophy, Bernard Malamud, Timothy Findley, Will Self, Margaret Atwood, Yann Martel and J.M. Coetzee.

What Animals Mean in the Fiction of Modernity also introduces readers to new developments in the study of human-animal relations. It does so by attending both to the significance of animals to humans, and to animals’ own purposes or designs; to what animals mean to us, and to what they mean to do, and how they mean to live.

More books from Taylor and Francis

Cover of the book Belorussia 1944 by Philip Armstrong
Cover of the book Histories of Maize by Philip Armstrong
Cover of the book Transvestism, Transsexualism in the Psychoanalytic Dimension by Philip Armstrong
Cover of the book School Experience by Philip Armstrong
Cover of the book Punishment and Process in International Criminal Trials by Philip Armstrong
Cover of the book Dry Bones Breathe by Philip Armstrong
Cover of the book Capabilities and Social Justice by Philip Armstrong
Cover of the book Labor-environmental Coalitions by Philip Armstrong
Cover of the book Connecting the Dots by Philip Armstrong
Cover of the book Cold War Frontiers in the Asia-Pacific by Philip Armstrong
Cover of the book Corrosion of Archaeological and Heritage Artefacts EFC 45 by Philip Armstrong
Cover of the book Moderate Learning Difficulties and the Future of Inclusion by Philip Armstrong
Cover of the book Globalisation, Multilateralism, Europe by Philip Armstrong
Cover of the book The Question of the Gift by Philip Armstrong
Cover of the book Making Sense of Secondary Science by Philip Armstrong
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy