When the Light-Bulb Is Bare: Essays on Horror and Noir

Fiction & Literature, Literary Theory & Criticism, Mystery & Detective Fiction, Nonfiction, Entertainment, Film, History & Criticism
Cover of the book When the Light-Bulb Is Bare: Essays on Horror and Noir by Barry Graham, Cracked Sidewalk Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Barry Graham ISBN: 9781507055397
Publisher: Cracked Sidewalk Press Publication: February 1, 2015
Imprint: Language: English
Author: Barry Graham
ISBN: 9781507055397
Publisher: Cracked Sidewalk Press
Publication: February 1, 2015
Imprint:
Language: English

Barry Graham's horror fiction has earned him comparisons with Bram Stoker, M.R. James and Stephen King, while his neo-noir fiction has been compared to that of James M. Cain, Richard Stark, David Goodis, Quentin Tarantino and Jim Thompson.

In this collection of essays examining what Graham contends are the two most important and enduring genres, he combines literary analysis with memoir, and shows us that the monsters we imagine lurking in the shadows are all too real. In doing so, he remembers the significance of horror to a child in a Glasgow slum, and discusses artists including Stephen King, Elmore Leonard, Robert Mitchum, Paul Schrader, Robert Bresson, George Pelecanos and David Goodis, and books and films including The Exorcist, The Moon of the Wolf, The Conversation and The Friends of Eddie Coyle.

He considers crime fiction as a Marxist art form, and, while sitting in a Scottish courtroom, observing a trial for attempted murder, he realizes he has a met a werewolf.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Barry Graham's horror fiction has earned him comparisons with Bram Stoker, M.R. James and Stephen King, while his neo-noir fiction has been compared to that of James M. Cain, Richard Stark, David Goodis, Quentin Tarantino and Jim Thompson.

In this collection of essays examining what Graham contends are the two most important and enduring genres, he combines literary analysis with memoir, and shows us that the monsters we imagine lurking in the shadows are all too real. In doing so, he remembers the significance of horror to a child in a Glasgow slum, and discusses artists including Stephen King, Elmore Leonard, Robert Mitchum, Paul Schrader, Robert Bresson, George Pelecanos and David Goodis, and books and films including The Exorcist, The Moon of the Wolf, The Conversation and The Friends of Eddie Coyle.

He considers crime fiction as a Marxist art form, and, while sitting in a Scottish courtroom, observing a trial for attempted murder, he realizes he has a met a werewolf.

More books from History & Criticism

Cover of the book Pornography and Seriality by Barry Graham
Cover of the book The Sound of Music Story by Barry Graham
Cover of the book My Mother Said I Never Should GCSE Student Guide by Barry Graham
Cover of the book Imposing Harmony by Barry Graham
Cover of the book Haydn by Barry Graham
Cover of the book War Trauma and English Modernism by Barry Graham
Cover of the book Global Television Formats by Barry Graham
Cover of the book The Bloomsbury Companion to Berkeley by Barry Graham
Cover of the book Poetry and Popular Protest by Barry Graham
Cover of the book The Grey Zone of Health and Illness by Barry Graham
Cover of the book A New Heartland by Barry Graham
Cover of the book The Mystical Science of the Soul by Barry Graham
Cover of the book Identity, Narrative and Politics by Barry Graham
Cover of the book The Philosophical Hitchcock by Barry Graham
Cover of the book Cold War Expressionism: Perverting the Politics of Perception/Bombast, Blacklists and Blockades in the Postwar Art World by Barry Graham
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy