Where I'm Reading From

The Changing World of Books

Fiction & Literature, Literary Theory & Criticism, Theory, Books & Reading
Cover of the book Where I'm Reading From by Tim Parks, New York Review Books
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Author: Tim Parks ISBN: 9781590178850
Publisher: New York Review Books Publication: May 12, 2015
Imprint: New York Review Books Language: English
Author: Tim Parks
ISBN: 9781590178850
Publisher: New York Review Books
Publication: May 12, 2015
Imprint: New York Review Books
Language: English

Why do we need fiction? Why do books need  to be printed on paper, copyrighted, read to the finish? Do we read to challenge our vision of  the world or to confirm it? Has novel writing turned into a job like any other? In Where I’m Reading From, the novelist and critic Tim Parks ranges over decades of critical reading—from Leopardi, Dickens, and Chekhov, to Virginia Woolf, D. H. Lawrence, and Thomas Bernhard, and on to contemporary work by Peter Stamm, Alice Munro, and many others—to upend our assumptions about literature and its purpose.

In thirty-seven interlocking essays, Where I’m Reading From examines the rise of the “international” novel and the disappearance of “national” literary styles; how market forces shape “serious” fiction; the unintended effects of translation; the growing stasis of literary criticism; and the problematic relationship between writers’ lives and their work. Through dazzling close readings and probing self-examination, Parks wonders whether writers—and readers—can escape the twin pressures of the new global system and the novel that has become its emblematic genre.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Why do we need fiction? Why do books need  to be printed on paper, copyrighted, read to the finish? Do we read to challenge our vision of  the world or to confirm it? Has novel writing turned into a job like any other? In Where I’m Reading From, the novelist and critic Tim Parks ranges over decades of critical reading—from Leopardi, Dickens, and Chekhov, to Virginia Woolf, D. H. Lawrence, and Thomas Bernhard, and on to contemporary work by Peter Stamm, Alice Munro, and many others—to upend our assumptions about literature and its purpose.

In thirty-seven interlocking essays, Where I’m Reading From examines the rise of the “international” novel and the disappearance of “national” literary styles; how market forces shape “serious” fiction; the unintended effects of translation; the growing stasis of literary criticism; and the problematic relationship between writers’ lives and their work. Through dazzling close readings and probing self-examination, Parks wonders whether writers—and readers—can escape the twin pressures of the new global system and the novel that has become its emblematic genre.

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