Why it's OK to Laugh at the Parody in Family Guy

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Why it's OK to Laugh at the Parody in Family Guy by Michael Reimbacher, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Michael Reimbacher ISBN: 9783640871353
Publisher: GRIN Publishing Publication: March 18, 2011
Imprint: GRIN Publishing Language: English
Author: Michael Reimbacher
ISBN: 9783640871353
Publisher: GRIN Publishing
Publication: March 18, 2011
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2008 in the subject English Language and Literature Studies - Linguistics, grade: 2,0, , language: English, abstract: In Entertainment Weekly, Family Guy has been criticized numerous times and was even nominated for the worst show on television (Tucker 1999-12-24). According to famous TV-critic Ken Tucker, Family Guy is 'vile swill' because of its jokes that are often racist, anti-Semitic, or play on touchy subjects such as AIDS. Furthermore, the show is a shoddy animation based on stolen ideas (Ibid.). At a first glance, claims like these appear to be justified. For example, Peter, who just lost all his money and his car, proposes to Lois to find a Native American high roller to pay one million dollars to sleep with her. When Lois objects, he says, 'These people took 24 dollars for the isle of Manhattan. They have no idea what things are worth' '(The Son Also Draws'). Now, that Family Guy has been successfully produced for such a long time, people grew fond of its humour. However, is it reasonable and socially desirable to laugh at this kind of humour? It seems that people are laughing for all the wrong reasons.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2008 in the subject English Language and Literature Studies - Linguistics, grade: 2,0, , language: English, abstract: In Entertainment Weekly, Family Guy has been criticized numerous times and was even nominated for the worst show on television (Tucker 1999-12-24). According to famous TV-critic Ken Tucker, Family Guy is 'vile swill' because of its jokes that are often racist, anti-Semitic, or play on touchy subjects such as AIDS. Furthermore, the show is a shoddy animation based on stolen ideas (Ibid.). At a first glance, claims like these appear to be justified. For example, Peter, who just lost all his money and his car, proposes to Lois to find a Native American high roller to pay one million dollars to sleep with her. When Lois objects, he says, 'These people took 24 dollars for the isle of Manhattan. They have no idea what things are worth' '(The Son Also Draws'). Now, that Family Guy has been successfully produced for such a long time, people grew fond of its humour. However, is it reasonable and socially desirable to laugh at this kind of humour? It seems that people are laughing for all the wrong reasons.

More books from GRIN Publishing

Cover of the book Strengths and weaknesses of the oversight over the auditing profession in the UK and USA. A description, analysis and discussion by Michael Reimbacher
Cover of the book Fitting already in? Romania and the political criterion of Copenhagen by Michael Reimbacher
Cover of the book The conversion of Iceland - a political event by Michael Reimbacher
Cover of the book Multiculturalism and magic realism? Between fiction and reality by Michael Reimbacher
Cover of the book Contemporary Immigration Policy in Canada and Germany by Michael Reimbacher
Cover of the book Policy Paper on Iran's Nuclear Program by Michael Reimbacher
Cover of the book Analysis of the US PR Strategy Preparing the War against Iraq 2003 by Michael Reimbacher
Cover of the book 'Debt is bad' - A refutation by Michael Reimbacher
Cover of the book Social Networks & Social Network Analysis in Companies by Michael Reimbacher
Cover of the book How to Reach Minimum Delay Times in Networked Collaborative Musical Performances by Michael Reimbacher
Cover of the book Symbols in Context - The Mystic Egg in Doris Lessing's The Memoirs of a Survivor by Michael Reimbacher
Cover of the book Do we Find Absolute Synonymy in the English Language? - An Analysis of Internet-Texts Dealing with the 11th September 2001 by Michael Reimbacher
Cover of the book 'Blade Runner' and Film Education: Didactic Possibilities of Teaching Film Literacy in the TEFL Classroom by Michael Reimbacher
Cover of the book Thornton Wilder - 'The Skin of our Teeth'. The female characters of the play by Michael Reimbacher
Cover of the book Innovation in the context of 'Zotter Schokoladen-Manufaktur GmbH' by Michael Reimbacher
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy