Why Trilling Matters

Fiction & Literature, Literary Theory & Criticism, Books & Reading, Biography & Memoir, Literary
Cover of the book Why Trilling Matters by Mr. Adam Kirsch, Yale University Press
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Author: Mr. Adam Kirsch ISBN: 9780300178289
Publisher: Yale University Press Publication: October 25, 2011
Imprint: Yale University Press Language: English
Author: Mr. Adam Kirsch
ISBN: 9780300178289
Publisher: Yale University Press
Publication: October 25, 2011
Imprint: Yale University Press
Language: English

Lionel Trilling, regarded at the time of his death in 1975 as America’s preeminent literary critic, is today often seen as a relic of a vanished era. His was an age when literary criticism and ideas seemed to matter profoundly in the intellectual life of the country. In this eloquent book, Adam Kirsch shows that Trilling, far from being obsolete, is essential to understanding our current crisis of literary confidence—and to overcoming it.

By reading Trilling primarily as a writer and thinker, Kirsch demonstrates how Trilling’s original and moving work continues to provide an inspiring example of a mind creating itself through its encounters with texts. Why Trilling Matters introduces all of Trilling’s major writings and situates him in the intellectual landscape of his century, from Communism in the 1930s to neoconservatism in the 1970s. But Kirsch goes deeper, addressing today’s concerns about the decline of literature, reading, and even the book itself, and finds that Trilling has more to teach us now than ever before. As Kirsch writes, “Trilling’s essays are not exactly literary criticism” but, like all literature, “ends in themselves.”

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Lionel Trilling, regarded at the time of his death in 1975 as America’s preeminent literary critic, is today often seen as a relic of a vanished era. His was an age when literary criticism and ideas seemed to matter profoundly in the intellectual life of the country. In this eloquent book, Adam Kirsch shows that Trilling, far from being obsolete, is essential to understanding our current crisis of literary confidence—and to overcoming it.

By reading Trilling primarily as a writer and thinker, Kirsch demonstrates how Trilling’s original and moving work continues to provide an inspiring example of a mind creating itself through its encounters with texts. Why Trilling Matters introduces all of Trilling’s major writings and situates him in the intellectual landscape of his century, from Communism in the 1930s to neoconservatism in the 1970s. But Kirsch goes deeper, addressing today’s concerns about the decline of literature, reading, and even the book itself, and finds that Trilling has more to teach us now than ever before. As Kirsch writes, “Trilling’s essays are not exactly literary criticism” but, like all literature, “ends in themselves.”

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