Why We Write
Conversations with African Canadian Poets and Novelists
Biography & Memoir, Artists, Architects & Photographers, Nonfiction, Art & Architecture, Literary
| Author: | H Nigel Thomas | ISBN: | 9781927494868 |
| Publisher: | Mawenzi House | Publication: | April 22, 2016 |
| Imprint: | Language: | English |
| Author: | H Nigel Thomas |
| ISBN: | 9781927494868 |
| Publisher: | Mawenzi House |
| Publication: | April 22, 2016 |
| Imprint: | |
| Language: | English |
In this volume, African Canadian novelists and poets discuss the complexities of the writing experience. Most of the writers interviewed here are humanists; i.e., they see their work as serious depictions of the human condition, admit that their works are informed by an African Canadian ontology, and adhere to the notion that their books must delight and instruct. These interviews, therefore, are valuable additions to the creative process of the individual writers. Apart from identifying how the writers’ geographical and social origins have influenced their work, the questions deliberately avoid autobiography. Instead, these writers respond to the exigencies of craft, the manipulations of publishers, the criticism of readers, and the absence of a clearly identifiable market for their works.
The writers include Austin Clarke, Bernadette Dyer, Althea Prince, Afua Cooper, M. NourbeSe Philip, Cecil Foster, Lawrence Hill, George Elliott Clarke, Wayde Compton, Robert Sandiford, Suzette Mayr, Claire Harris, Pamela Mordecai, and Ayanna Black.
In this volume, African Canadian novelists and poets discuss the complexities of the writing experience. Most of the writers interviewed here are humanists; i.e., they see their work as serious depictions of the human condition, admit that their works are informed by an African Canadian ontology, and adhere to the notion that their books must delight and instruct. These interviews, therefore, are valuable additions to the creative process of the individual writers. Apart from identifying how the writers’ geographical and social origins have influenced their work, the questions deliberately avoid autobiography. Instead, these writers respond to the exigencies of craft, the manipulations of publishers, the criticism of readers, and the absence of a clearly identifiable market for their works.
The writers include Austin Clarke, Bernadette Dyer, Althea Prince, Afua Cooper, M. NourbeSe Philip, Cecil Foster, Lawrence Hill, George Elliott Clarke, Wayde Compton, Robert Sandiford, Suzette Mayr, Claire Harris, Pamela Mordecai, and Ayanna Black.
