William Forsythe and the Practice of Choreography

It Starts From Any Point

Nonfiction, Entertainment, Music, Pop & Rock, Dance, Music Styles
Cover of the book William Forsythe and the Practice of Choreography by Steven Spier, Taylor and Francis
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Author: Steven Spier ISBN: 9781136834899
Publisher: Taylor and Francis Publication: August 23, 2011
Imprint: Routledge Language: English
Author: Steven Spier
ISBN: 9781136834899
Publisher: Taylor and Francis
Publication: August 23, 2011
Imprint: Routledge
Language: English

William Forsythe’s reinvigoration of classical ballet during his 20-year tenure at the Ballett Frankfurt saw him lauded as one of the greatest choreographers of the postwar era. His current work with The Forsythe Company has gone even further to challenge and investigate fundamental assumptions about choreography itself.

William Forsythe and the Practice of Choreography presents a diverse range of critical writings on his work, with illuminating analysis of his practice from an interdisciplinary perspective. The book also contains insightful working testaments from Forsythe’s collaborators, as well as a contribution from the choreographer himself.

With essays covering all aspects of Forsythe’s past and current work, readers are provided with an unparalleled view into the creative world of this visionary artist, as well as a comprehensive resource for students, scholars, and practitioners of ballet and contemporary dance today.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

William Forsythe’s reinvigoration of classical ballet during his 20-year tenure at the Ballett Frankfurt saw him lauded as one of the greatest choreographers of the postwar era. His current work with The Forsythe Company has gone even further to challenge and investigate fundamental assumptions about choreography itself.

William Forsythe and the Practice of Choreography presents a diverse range of critical writings on his work, with illuminating analysis of his practice from an interdisciplinary perspective. The book also contains insightful working testaments from Forsythe’s collaborators, as well as a contribution from the choreographer himself.

With essays covering all aspects of Forsythe’s past and current work, readers are provided with an unparalleled view into the creative world of this visionary artist, as well as a comprehensive resource for students, scholars, and practitioners of ballet and contemporary dance today.

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