Woman in Lars von Trier’s Cinema, 1996–2014

Nonfiction, Entertainment, Film, Direction & Production, Performing Arts
Cover of the book Woman in Lars von Trier’s Cinema, 1996–2014 by Ahmed Elbeshlawy, Springer International Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ahmed Elbeshlawy ISBN: 9783319406398
Publisher: Springer International Publishing Publication: October 11, 2016
Imprint: Palgrave Macmillan Language: English
Author: Ahmed Elbeshlawy
ISBN: 9783319406398
Publisher: Springer International Publishing
Publication: October 11, 2016
Imprint: Palgrave Macmillan
Language: English

This book discusses the figure of Woman in Lars von Trier’s distinctive cinematic productions from 1996 to 2014. It takes the notorious legacy of violence against women in von Trier’s cinema beyond the perceived gender division, elevating the director’s image above being a mere provocateur. By raising fundamental questions about woman, sexuality, and desire, Elbeshlawy shows that Trier’s cinematic Woman is an attempt at creating an image of a genderless subject that is not inhibited by the confines of ideology and culture. But this attempt is perennially ill-fated. And it is this failure that not only fosters viewing enjoyment but also gives the films their political importance, elevating them above both commendations and condemnations of feminist discourse.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book discusses the figure of Woman in Lars von Trier’s distinctive cinematic productions from 1996 to 2014. It takes the notorious legacy of violence against women in von Trier’s cinema beyond the perceived gender division, elevating the director’s image above being a mere provocateur. By raising fundamental questions about woman, sexuality, and desire, Elbeshlawy shows that Trier’s cinematic Woman is an attempt at creating an image of a genderless subject that is not inhibited by the confines of ideology and culture. But this attempt is perennially ill-fated. And it is this failure that not only fosters viewing enjoyment but also gives the films their political importance, elevating them above both commendations and condemnations of feminist discourse.

More books from Springer International Publishing

Cover of the book Mobility, Education and Employability in the European Union by Ahmed Elbeshlawy
Cover of the book Global Financial Crisis and Its Ramifications on Capital Markets by Ahmed Elbeshlawy
Cover of the book Humanism and Technology by Ahmed Elbeshlawy
Cover of the book Orthopedic Nuclear Medicine by Ahmed Elbeshlawy
Cover of the book Best Practices for the Use of Simulation in POD Curves Estimation by Ahmed Elbeshlawy
Cover of the book Understanding Children in Foster Care by Ahmed Elbeshlawy
Cover of the book Study on the Optimal Allocation of Water Resources Systems and the Comprehensive Utilization of Water Resources in Arid-Semiarid Multiple Mining Areas by Ahmed Elbeshlawy
Cover of the book Advanced Methods and Technologies in Metallurgy in Russia by Ahmed Elbeshlawy
Cover of the book Power Electronics by Ahmed Elbeshlawy
Cover of the book Militant Buddhism by Ahmed Elbeshlawy
Cover of the book Recent Developments in Railway Track and Transportation Engineering by Ahmed Elbeshlawy
Cover of the book U.S. Government Contractors and Human Trafficking by Ahmed Elbeshlawy
Cover of the book Applications and Usability of Interactive Television by Ahmed Elbeshlawy
Cover of the book Proteinuria: Basic Mechanisms, Pathophysiology and Clinical Relevance by Ahmed Elbeshlawy
Cover of the book Advanced High Strength Sheet Steels by Ahmed Elbeshlawy
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy