Women and Portraits in Early Modern Europe

Gender, Agency, Identity

Nonfiction, Art & Architecture, Art History
Cover of the book Women and Portraits in Early Modern Europe by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781351872263
Publisher: Taylor and Francis Publication: December 5, 2016
Imprint: Routledge Language: English
Author:
ISBN: 9781351872263
Publisher: Taylor and Francis
Publication: December 5, 2016
Imprint: Routledge
Language: English

As one of the first books to treat portraits of early modern women as a discrete subject, this volume considers the possibilities and limits of agency and identity for women in history and, with particular attention to gender, as categories of analysis for women's images. Its nine original essays on Italy, the Low Countries, Germany, France, and England deepen the usefulness of these analytical tools for portraiture. Among the book's broad contributions: it dispels false assumptions about agency's possibilities and limits, showing how agency can be located outside of conventional understanding, and, conversely, how it can be stretched too far. It demonstrates that agency is compatible with relational gender analysis, especially when alternative agencies such as spectatorship are taken into account. It also makes evident the importance of aesthetics for the study of identity and agency. The individual essays reveal, among other things, how portraits broadened the traditional parameters of portraiture, explored transvestism and same-sex eroticism, appropriated aspects of male portraiture to claim those values for their sitters, and, as sites for gender negotiation, resistance, and debate, invoked considerable relational anxiety. Richly layered in method, the book offers an array of provocative insights into its subject.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

As one of the first books to treat portraits of early modern women as a discrete subject, this volume considers the possibilities and limits of agency and identity for women in history and, with particular attention to gender, as categories of analysis for women's images. Its nine original essays on Italy, the Low Countries, Germany, France, and England deepen the usefulness of these analytical tools for portraiture. Among the book's broad contributions: it dispels false assumptions about agency's possibilities and limits, showing how agency can be located outside of conventional understanding, and, conversely, how it can be stretched too far. It demonstrates that agency is compatible with relational gender analysis, especially when alternative agencies such as spectatorship are taken into account. It also makes evident the importance of aesthetics for the study of identity and agency. The individual essays reveal, among other things, how portraits broadened the traditional parameters of portraiture, explored transvestism and same-sex eroticism, appropriated aspects of male portraiture to claim those values for their sitters, and, as sites for gender negotiation, resistance, and debate, invoked considerable relational anxiety. Richly layered in method, the book offers an array of provocative insights into its subject.

More books from Taylor and Francis

Cover of the book Ralph Vaughan Williams by
Cover of the book Body Image as an Everyday Problematic by
Cover of the book Kuwait by
Cover of the book Politics and Foreign Policy in the Age of George I, 1714-1727 by
Cover of the book A History of Nature Conservation in Britain by
Cover of the book The Routledge Handbook of American Military and Diplomatic History by
Cover of the book Why Nations Go to War by
Cover of the book Trade Liberalisation and Regional Disparity in Pakistan by
Cover of the book Religious Expression in the Workplace and the Contested Role of Law by
Cover of the book The Beauty Industry by
Cover of the book Psychosurgical Problems by
Cover of the book Beyond Smart Cities by
Cover of the book Measuring Outcome In The Public Sector by
Cover of the book Creating Visual Effects in Maya by
Cover of the book The New Psychology of Language by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy