Women in British Chinese Writings
Subjectivity, Identity and Hybridity
Fiction & Literature, Literary Theory & Criticism, Asian, Far Eastern
| Author: | Yun-Hua Hsiao | ISBN: | 9781909287938 |
| Publisher: | Chartridge Books Oxford | Publication: | September 1, 2014 |
| Imprint: | Chartridge Books Oxford | Language: | English |
| Author: | Yun-Hua Hsiao |
| ISBN: | 9781909287938 |
| Publisher: | Chartridge Books Oxford |
| Publication: | September 1, 2014 |
| Imprint: | Chartridge Books Oxford |
| Language: | English |
British Chinese Writings: Subjectivity, Identity and Hybridity' is a study of British Chinese literature. As Dr Hsiao points out, investigation of British Chinese writings is a little studied area; however, since the political, social and historical factors affecting this group of literature are unique, British Chinese publications deserve close examination. The author Dr Yun-Hua Hsiao is an assistant professor at the Graduate Institute of Children's English and Department of English, National Changhua University of Education, Taiwan. Readership The primary market of this book aims at the British Chinese, British people, the diasporic Chinese and readers concerned about the issue of race and culture. This research will also satisfy the curiosity of the general public about the British Chinese world. Contents Acknowledgements Introduction Matrilineage and the garden in Liu Hong's The Magpie Bridge Power and Women in Timothy Mo's Sour Sweet Food and Identity in Helen Tse's Sweet Mandarin Conclusion Bibliography
British Chinese Writings: Subjectivity, Identity and Hybridity' is a study of British Chinese literature. As Dr Hsiao points out, investigation of British Chinese writings is a little studied area; however, since the political, social and historical factors affecting this group of literature are unique, British Chinese publications deserve close examination. The author Dr Yun-Hua Hsiao is an assistant professor at the Graduate Institute of Children's English and Department of English, National Changhua University of Education, Taiwan. Readership The primary market of this book aims at the British Chinese, British people, the diasporic Chinese and readers concerned about the issue of race and culture. This research will also satisfy the curiosity of the general public about the British Chinese world. Contents Acknowledgements Introduction Matrilineage and the garden in Liu Hong's The Magpie Bridge Power and Women in Timothy Mo's Sour Sweet Food and Identity in Helen Tse's Sweet Mandarin Conclusion Bibliography
