Women Writing Music in Late Eighteenth-Century England

Social Harmony in Literature and Performance

Nonfiction, Entertainment, Music, Fiction & Literature, Literary Theory & Criticism
Cover of the book Women Writing Music in Late Eighteenth-Century England by Leslie Ritchie, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Leslie Ritchie ISBN: 9781351536615
Publisher: Taylor and Francis Publication: July 5, 2017
Imprint: Routledge Language: English
Author: Leslie Ritchie
ISBN: 9781351536615
Publisher: Taylor and Francis
Publication: July 5, 2017
Imprint: Routledge
Language: English

Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.

More books from Taylor and Francis

Cover of the book Nation and Narration by Leslie Ritchie
Cover of the book Charlie Chaplin by Leslie Ritchie
Cover of the book The International Political Sociology of Security by Leslie Ritchie
Cover of the book Gays, Lesbians, and Consumer Behavior by Leslie Ritchie
Cover of the book Slavoj Žižek and Christianity by Leslie Ritchie
Cover of the book State-Owned Enterprise in the Western Economies (Routledge Revivals) by Leslie Ritchie
Cover of the book Policing Gender, Class And Family In Britain, 1800-1945 by Leslie Ritchie
Cover of the book The International Criminal Court and Nigeria by Leslie Ritchie
Cover of the book The Assyrian Genocide by Leslie Ritchie
Cover of the book Teaching Research Methods in the Social Sciences by Leslie Ritchie
Cover of the book Design for Policy by Leslie Ritchie
Cover of the book Finance in Developing Countries by Leslie Ritchie
Cover of the book Network Art by Leslie Ritchie
Cover of the book Adolescent Psychiatry, V. 26 by Leslie Ritchie
Cover of the book The Politics of the Welfare State by Leslie Ritchie
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy