Writing in Dante's Cult of Truth

From Borges to Bocaccio

Fiction & Literature, Poetry, Continental European
Cover of the book Writing in Dante's Cult of Truth by María Rosa Menocal, Duke University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: María Rosa Menocal ISBN: 9780822399568
Publisher: Duke University Press Publication: March 7, 1991
Imprint: Duke University Press Books Language: English
Author: María Rosa Menocal
ISBN: 9780822399568
Publisher: Duke University Press
Publication: March 7, 1991
Imprint: Duke University Press Books
Language: English

Using the works of Dante as its critical focus, María Rosa Menocal’s original and imaginative study examines questions of truth, ideology, and reality in poetry as they occur in a series of texts and in the relationship between those texts across time. In each case, Menocal raises theoretical issues of critical importance to contemporary debates regarding the structure of literary relations.
Beginning with a reading of La vita nuova and the Commedia, this literary history of poetic literary histories explores the Dantean poetic experience as it has been limited and rewritten by later poets, particularly Petrarch, Boccaccio, Borges, Pound, Eliot, and the all but forgotten Silvio Pellico, author of Le mie prigioni. By blending discussions of Dante’s own marriage of literature and literary history with those investigations into the imitative qualities of later works, Writing in Dante’s Cult of Truth presents an intertextual literary history, one which seeks to maintain the uncanniness of literature, while imagining history to be neither linear nor clearly distinguishable from literature itself.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Using the works of Dante as its critical focus, María Rosa Menocal’s original and imaginative study examines questions of truth, ideology, and reality in poetry as they occur in a series of texts and in the relationship between those texts across time. In each case, Menocal raises theoretical issues of critical importance to contemporary debates regarding the structure of literary relations.
Beginning with a reading of La vita nuova and the Commedia, this literary history of poetic literary histories explores the Dantean poetic experience as it has been limited and rewritten by later poets, particularly Petrarch, Boccaccio, Borges, Pound, Eliot, and the all but forgotten Silvio Pellico, author of Le mie prigioni. By blending discussions of Dante’s own marriage of literature and literary history with those investigations into the imitative qualities of later works, Writing in Dante’s Cult of Truth presents an intertextual literary history, one which seeks to maintain the uncanniness of literature, while imagining history to be neither linear nor clearly distinguishable from literature itself.

More books from Duke University Press

Cover of the book Gay Latino Studies by María Rosa Menocal
Cover of the book Cultures of Transnational Adoption by María Rosa Menocal
Cover of the book Ghost Protocol by María Rosa Menocal
Cover of the book A Not So Foreign Affair by María Rosa Menocal
Cover of the book Media Theory in Japan by María Rosa Menocal
Cover of the book The Real Hiphop by María Rosa Menocal
Cover of the book The Fall and Rise of Freedom of Contract by María Rosa Menocal
Cover of the book The Hermetic Deleuze by María Rosa Menocal
Cover of the book Sound by María Rosa Menocal
Cover of the book Dark Matters by María Rosa Menocal
Cover of the book The Scandal of the State by María Rosa Menocal
Cover of the book Empire Burlesque by María Rosa Menocal
Cover of the book It's All in the Game by María Rosa Menocal
Cover of the book Empires of Vision by María Rosa Menocal
Cover of the book The Age of the World Target by María Rosa Menocal
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy