Yoruba shamanism

Nonfiction, Social & Cultural Studies, Social Science, Folklore & Mythology, Anthropology
Cover of the book Yoruba shamanism by A. B. Ellis, A. B. Ellis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: A. B. Ellis ISBN: 9786050344127
Publisher: A. B. Ellis Publication: December 27, 2014
Imprint: Language: English
Author: A. B. Ellis
ISBN: 9786050344127
Publisher: A. B. Ellis
Publication: December 27, 2014
Imprint:
Language: English

The striking resemblance which the Yoruba religious system bears to that of the ancient Greeks can scarcely have escaped notice. Olorun, the sky-god proper, now being gradually displaced by the more anthropomorphic Obatala, resembles Uranus, who was displaced by Kronos. In Greek mythology Kronos married his sister Rhea, the earth, and the Yoruba myth makes Obatala marry Odudua, who also represents the earth, though the qualities of Aphrodite appear to predominate. Olokun answers to Poseidon, Ogun, worker in iron, to Hephœstus, Orisha Oko to Priapus, Osanhin to Æsklepius, Orun, the sun, to Helios, and Oshu, the moon, to Selene. Zeus' messenger, Hermes, the lightning, was the protector of plunderers, and Shango is the god of lightning and plunder. Ifa, as the, god of prophecy, and the being who wards off evil and affords help, resembles Apollo, who, in Homer, is perfectly distinct from the sun-god, though identified with him in later times.

The spirits of the trees answer to the Hama-dryads, and we have river-gods and sea-spirits. Metamorphosis to a brook, spring, or lagoon is common, and we have one example of a girl, being transformed, like Daphne, into a shrub. The gods, when consulted, gave oracular responses that differ in no essential particular from the answers given by the Oracle of Delphi. The Yorubas, like the Greeks, offer human sacrifices in time of national need. Dancing was, with the Greeks, intimately connected with worship, as Lucian says: "You cannot find a single ancient mystery in which there is not dancing;" and by the Yoruba every god of note has his own dance, which is sacred to him, and known only to the initiated.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The striking resemblance which the Yoruba religious system bears to that of the ancient Greeks can scarcely have escaped notice. Olorun, the sky-god proper, now being gradually displaced by the more anthropomorphic Obatala, resembles Uranus, who was displaced by Kronos. In Greek mythology Kronos married his sister Rhea, the earth, and the Yoruba myth makes Obatala marry Odudua, who also represents the earth, though the qualities of Aphrodite appear to predominate. Olokun answers to Poseidon, Ogun, worker in iron, to Hephœstus, Orisha Oko to Priapus, Osanhin to Æsklepius, Orun, the sun, to Helios, and Oshu, the moon, to Selene. Zeus' messenger, Hermes, the lightning, was the protector of plunderers, and Shango is the god of lightning and plunder. Ifa, as the, god of prophecy, and the being who wards off evil and affords help, resembles Apollo, who, in Homer, is perfectly distinct from the sun-god, though identified with him in later times.

The spirits of the trees answer to the Hama-dryads, and we have river-gods and sea-spirits. Metamorphosis to a brook, spring, or lagoon is common, and we have one example of a girl, being transformed, like Daphne, into a shrub. The gods, when consulted, gave oracular responses that differ in no essential particular from the answers given by the Oracle of Delphi. The Yorubas, like the Greeks, offer human sacrifices in time of national need. Dancing was, with the Greeks, intimately connected with worship, as Lucian says: "You cannot find a single ancient mystery in which there is not dancing;" and by the Yoruba every god of note has his own dance, which is sacred to him, and known only to the initiated.

More books from Anthropology

Cover of the book “After Its Kind” by A. B. Ellis
Cover of the book Cultural Mobility by A. B. Ellis
Cover of the book Reconstructing Adult Masculinities by A. B. Ellis
Cover of the book Handbook for Folklore and Ethnomusicology Fieldwork by A. B. Ellis
Cover of the book Ancestors and Antiretrovirals by A. B. Ellis
Cover of the book Papua New Guinea's Last Place by A. B. Ellis
Cover of the book Hunting Down the Monk by A. B. Ellis
Cover of the book Romanians in Western Europe by A. B. Ellis
Cover of the book Broken Links, Enduring Ties by A. B. Ellis
Cover of the book Antisemitism and the left by A. B. Ellis
Cover of the book Dining with the Famous and Infamous by A. B. Ellis
Cover of the book Performing Piety by A. B. Ellis
Cover of the book Knowing Differently by A. B. Ellis
Cover of the book Alla scoperta di Crevoladossola by A. B. Ellis
Cover of the book The Old Testament in the Light of the Historical Records and Legends of Assyria and Babylonia by A. B. Ellis
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy