Zoopoetics

Animals and the Making of Poetry

Fiction & Literature, Literary Theory & Criticism, Poetry History & Criticism, American
Cover of the book Zoopoetics by Aaron M. Moe, Lexington Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Aaron M. Moe ISBN: 9780739186633
Publisher: Lexington Books Publication: December 19, 2013
Imprint: Lexington Books Language: English
Author: Aaron M. Moe
ISBN: 9780739186633
Publisher: Lexington Books
Publication: December 19, 2013
Imprint: Lexington Books
Language: English

Zoopoetics assumes Aristotle was right. The general origin of poetry resides, in part, in the instinct to imitate. But it is an innovative imitation. An exploration of the oeuvres of Walt Whitman, E. E. Cummings, W. S. Merwin, and Brenda Hillman reveals the many places where an imitation of another species’ poiesis (Greek, makings) contributes to breakthroughs in poetic form. However, humans are not the only imitators in the animal kingdom. Other species, too, achieve breakthroughs in their makings through an attentiveness to the ways-of-being of other animals. For this reason, mimic octopi, elephants, beluga whales, and many other species join the exploration of what zoopoetics encompasses. Zoopoetics provides further traction for people interested in the possibilities when and where species meet.

Gestures are paramount to zoopoetics. Through the interplay of gestures, the human/animal/textual spheres merge making it possible to recognize how actual, biological animals impact the material makings of poetry. Moreover, as many species are makers, zoopoetics expands the poetic tradition to include nonhuman poiesis.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Zoopoetics assumes Aristotle was right. The general origin of poetry resides, in part, in the instinct to imitate. But it is an innovative imitation. An exploration of the oeuvres of Walt Whitman, E. E. Cummings, W. S. Merwin, and Brenda Hillman reveals the many places where an imitation of another species’ poiesis (Greek, makings) contributes to breakthroughs in poetic form. However, humans are not the only imitators in the animal kingdom. Other species, too, achieve breakthroughs in their makings through an attentiveness to the ways-of-being of other animals. For this reason, mimic octopi, elephants, beluga whales, and many other species join the exploration of what zoopoetics encompasses. Zoopoetics provides further traction for people interested in the possibilities when and where species meet.

Gestures are paramount to zoopoetics. Through the interplay of gestures, the human/animal/textual spheres merge making it possible to recognize how actual, biological animals impact the material makings of poetry. Moreover, as many species are makers, zoopoetics expands the poetic tradition to include nonhuman poiesis.

More books from Lexington Books

Cover of the book The Struggle over Black Lives Matter and All Lives Matter by Aaron M. Moe
Cover of the book Apocalyptic Transformation by Aaron M. Moe
Cover of the book The Anthropology of Sport and Human Movement by Aaron M. Moe
Cover of the book Advancing Critical Criminology by Aaron M. Moe
Cover of the book The Pious Sex by Aaron M. Moe
Cover of the book Money, Corruption, and Political Competition in Established and Emerging Democracies by Aaron M. Moe
Cover of the book Negotiating Capability and Diaspora by Aaron M. Moe
Cover of the book The American Civil War on Film and TV by Aaron M. Moe
Cover of the book The Contours of Eurocentrism by Aaron M. Moe
Cover of the book Screening Minors in Latin American Cinema by Aaron M. Moe
Cover of the book Naturalism's Philosophy of the Sacred by Aaron M. Moe
Cover of the book Values, Valuations, and Axiological Norms in Richard Rorty's Neopragmatism by Aaron M. Moe
Cover of the book The Constitutional and Legal Development of the Chinese Presidency by Aaron M. Moe
Cover of the book China's Cyber Warfare by Aaron M. Moe
Cover of the book Beyond the Arab Spring in North Africa by Aaron M. Moe
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy