‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics of Publication

Nonfiction, Entertainment, Performing Arts, Theatre, History & Criticism
Cover of the book ‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics of Publication by Eoin Price, Palgrave Macmillan UK
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Author: Eoin Price ISBN: 9781137494924
Publisher: Palgrave Macmillan UK Publication: October 15, 2015
Imprint: Palgrave Pivot Language: English
Author: Eoin Price
ISBN: 9781137494924
Publisher: Palgrave Macmillan UK
Publication: October 15, 2015
Imprint: Palgrave Pivot
Language: English

At the start of the seventeenth century a distinction emerged between 'public', outdoor, amphitheatre playhouses and 'private', indoor, hall venues. This book is the first sustained attempt to ask: why? Theatre historians have long acknowledged these terms, but have failed to attest to their variety and complexity. Assessing a range of evidence, from the start of the Elizabethan period to the beginning of the Restoration, the book overturns received scholarly wisdom to reach new insights into the politics of theatre culture and playbook publication. Standard accounts of the 'public' and 'private' theatres have either ignored the terms, or offered insubstantial explanations for their use. This book opens up the rich range of meanings made available by these vitally important terms and offers a fresh perspective on the way dramatists, theatre owners, booksellers, and legislators, conceived the playhouses of Renaissance London.

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At the start of the seventeenth century a distinction emerged between 'public', outdoor, amphitheatre playhouses and 'private', indoor, hall venues. This book is the first sustained attempt to ask: why? Theatre historians have long acknowledged these terms, but have failed to attest to their variety and complexity. Assessing a range of evidence, from the start of the Elizabethan period to the beginning of the Restoration, the book overturns received scholarly wisdom to reach new insights into the politics of theatre culture and playbook publication. Standard accounts of the 'public' and 'private' theatres have either ignored the terms, or offered insubstantial explanations for their use. This book opens up the rich range of meanings made available by these vitally important terms and offers a fresh perspective on the way dramatists, theatre owners, booksellers, and legislators, conceived the playhouses of Renaissance London.

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