'A Clockwork Orange'. The presentation and the impact of violence in the novel and in the film

The presentation and the impact of violence in the novel and in the film

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book 'A Clockwork Orange'. The presentation and the impact of violence in the novel and in the film by Thomas von der Heide, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Thomas von der Heide ISBN: 9783638506816
Publisher: GRIN Publishing Publication: June 1, 2006
Imprint: GRIN Publishing Language: English
Author: Thomas von der Heide
ISBN: 9783638506816
Publisher: GRIN Publishing
Publication: June 1, 2006
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2002 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Cologne (Institut für Anglistik), course: Novels and their film adaptations, 9 entries in the bibliography, language: English, abstract: After the release of Stanley Kubrick's film version of 'A Clockwork Orange' in 1971, Anthony Burgess's original novel of 1962 and the film were obstinately criticised to be senselessly brutal and it was (and is) said (until today) that both Burgess and Kubrick glorified violence with their works. Although in 'A Clockwork Orange', a lot of different themes are dealt with - for example politics, music, art or themes of philosophical nature - the violence in the book and on screen are the most concerned about things when critics write about 'A Clockwork Orange'. But not only critics, also 'normal' readers (or viewers) regard the violence to be the most remarkable thing about the whole book (or movie). One simply has to look at the website of the internet-bookstore 'Amazon' (www.amazon.de) to see that the main part of the readers' reviews for the book by Anthony Burgess comment on the violence and the brutal crimes committed by the story's protagonists: Alex DeLarge and his 'droogs'. It is interesting that most of the readers that commented on the book also gave a statement about Kubrick's film adaptation. It looks like the whole discussion about violence in 'A Clockwork Orange' really first came up when Stanley Kubrick's movie version hit the theatres. But why this violence? Does it stand for itself? Are rape and murder obeyed fetishes of Burgess and Kubrick? Or is there something more in the story, that makes it indispensable to present violence in the extreme way Burgess and Kubrick did? This text will explain the function and the intention of presenting violence in 'A Clockwork Orange'. It will show the differences between the way of presenting violence in the original novel and the film version and why author and director decided to portray the protagonists' brutality in unlike ways, including the impact they have on the reader and the viewer. This text will conclude that in the novel and the film version, violence in 'A Clockwork Orange' serves to discuss other and more important themes included in the story.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2002 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Cologne (Institut für Anglistik), course: Novels and their film adaptations, 9 entries in the bibliography, language: English, abstract: After the release of Stanley Kubrick's film version of 'A Clockwork Orange' in 1971, Anthony Burgess's original novel of 1962 and the film were obstinately criticised to be senselessly brutal and it was (and is) said (until today) that both Burgess and Kubrick glorified violence with their works. Although in 'A Clockwork Orange', a lot of different themes are dealt with - for example politics, music, art or themes of philosophical nature - the violence in the book and on screen are the most concerned about things when critics write about 'A Clockwork Orange'. But not only critics, also 'normal' readers (or viewers) regard the violence to be the most remarkable thing about the whole book (or movie). One simply has to look at the website of the internet-bookstore 'Amazon' (www.amazon.de) to see that the main part of the readers' reviews for the book by Anthony Burgess comment on the violence and the brutal crimes committed by the story's protagonists: Alex DeLarge and his 'droogs'. It is interesting that most of the readers that commented on the book also gave a statement about Kubrick's film adaptation. It looks like the whole discussion about violence in 'A Clockwork Orange' really first came up when Stanley Kubrick's movie version hit the theatres. But why this violence? Does it stand for itself? Are rape and murder obeyed fetishes of Burgess and Kubrick? Or is there something more in the story, that makes it indispensable to present violence in the extreme way Burgess and Kubrick did? This text will explain the function and the intention of presenting violence in 'A Clockwork Orange'. It will show the differences between the way of presenting violence in the original novel and the film version and why author and director decided to portray the protagonists' brutality in unlike ways, including the impact they have on the reader and the viewer. This text will conclude that in the novel and the film version, violence in 'A Clockwork Orange' serves to discuss other and more important themes included in the story.

More books from GRIN Publishing

Cover of the book Distrust in religion in post-communist Russia by Thomas von der Heide
Cover of the book Current tendencies in colloquial London speech by Thomas von der Heide
Cover of the book Islamic law today by Thomas von der Heide
Cover of the book The role of the mass media in influencing political process by Thomas von der Heide
Cover of the book Fitting already in? Romania and the political criterion of Copenhagen by Thomas von der Heide
Cover of the book Influence factors of strategy by Thomas von der Heide
Cover of the book Empirical Evidence on IPO-Underpricing by Thomas von der Heide
Cover of the book Managing Diversity by Thomas von der Heide
Cover of the book The Soviet debate on religion in the 1920s. Principal positions by Thomas von der Heide
Cover of the book The Use of Irony in Jane Austen's 'Pride and Prejudice' by Thomas von der Heide
Cover of the book Phaseneinteilung der Unterrichtsplanung by Thomas von der Heide
Cover of the book Celie's process of finding a voice and self-fulfillment In Alice Walker's 'The Color Purple' by Thomas von der Heide
Cover of the book Questions on International Economic Law and Institutions by Thomas von der Heide
Cover of the book Infrastructure as a basis for doing business - The health care system in Poland with a focus on its pharmacy market by Thomas von der Heide
Cover of the book Europe's Influence on Ukrainian State Building - A Struggle for Identity between Europe and Russia by Thomas von der Heide
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy