Acorn Planter: A California Forest Play
Fiction & Literature, Drama, Nonfiction, Entertainment, Classics
| Author: | Jack London | ISBN: | 1230000244730 |
| Publisher: | Consumer Oriented Ebooks Publisher | Publication: | June 4, 2014 |
| Imprint: | Language: | English |
| Author: | Jack London |
| ISBN: | 1230000244730 |
| Publisher: | Consumer Oriented Ebooks Publisher |
| Publication: | June 4, 2014 |
| Imprint: | |
| Language: | English |
Jack London is primarily known as a novelist and writer of short stories, but during his brief but prolific career he did find time to dabble in poetry, drama, and even film.
The cast of The Acorn Planter is composed mostly of members of the Nishinam Indian tribe of California. The core of the allegorical ensemble consists of Red Cloud (the philosopher chief of the tribe), Shaman (who symbolizes religion), War Chief (self-explanatory), and Dew-Woman (representing womankind in general). Eventually the Nishinam encounter the Sun Men, a group of white explorers. Hundreds or thousands of years may pass between acts, but the characters remain the same, that is to say, the archetypal roles are seamlessly filled by the descendants of the characters in the preceding act. The play's dialogue is almost exclusively written in poetic verse, either in the form of songs or of call-and-response chanting between the aforementioned characters and the chorus of tribespeople.
Jack London is primarily known as a novelist and writer of short stories, but during his brief but prolific career he did find time to dabble in poetry, drama, and even film.
The cast of The Acorn Planter is composed mostly of members of the Nishinam Indian tribe of California. The core of the allegorical ensemble consists of Red Cloud (the philosopher chief of the tribe), Shaman (who symbolizes religion), War Chief (self-explanatory), and Dew-Woman (representing womankind in general). Eventually the Nishinam encounter the Sun Men, a group of white explorers. Hundreds or thousands of years may pass between acts, but the characters remain the same, that is to say, the archetypal roles are seamlessly filled by the descendants of the characters in the preceding act. The play's dialogue is almost exclusively written in poetic verse, either in the form of songs or of call-and-response chanting between the aforementioned characters and the chorus of tribespeople.
