Affect and American Literature in the Age of Neoliberalism

Fiction & Literature, Literary Theory & Criticism, American, Nonfiction, Social & Cultural Studies, Political Science
Cover of the book Affect and American Literature in the Age of Neoliberalism by Rachel Greenwald Smith, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Rachel Greenwald Smith ISBN: 9781316235522
Publisher: Cambridge University Press Publication: April 20, 2015
Imprint: Cambridge University Press Language: English
Author: Rachel Greenwald Smith
ISBN: 9781316235522
Publisher: Cambridge University Press
Publication: April 20, 2015
Imprint: Cambridge University Press
Language: English

Rachel Greenwald Smith's Affect and American Literature in the Age of Neoliberalism examines the relationship between American literature and politics in the twentieth- and twenty-first centuries. Smith contends that the representation of emotions in contemporary fiction emphasizes the personal lives of characters at a time when there is an unprecedented, and often damaging, focus on the individual in American life. Through readings of works by Paul Auster, Karen Tei Yamashita, Ben Marcus, Lydia Millet, and others who stage experiments in the relationship between feeling and form, Smith argues for the centrality of a counter-tradition in contemporary literature concerned with impersonal feelings: feelings that challenge the neoliberal notion that emotions are the property of the self.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Rachel Greenwald Smith's Affect and American Literature in the Age of Neoliberalism examines the relationship between American literature and politics in the twentieth- and twenty-first centuries. Smith contends that the representation of emotions in contemporary fiction emphasizes the personal lives of characters at a time when there is an unprecedented, and often damaging, focus on the individual in American life. Through readings of works by Paul Auster, Karen Tei Yamashita, Ben Marcus, Lydia Millet, and others who stage experiments in the relationship between feeling and form, Smith argues for the centrality of a counter-tradition in contemporary literature concerned with impersonal feelings: feelings that challenge the neoliberal notion that emotions are the property of the self.

More books from Cambridge University Press

Cover of the book Leo Strauss by Rachel Greenwald Smith
Cover of the book The Sound Structure of English by Rachel Greenwald Smith
Cover of the book The Cambridge Companion to Christian Ethics by Rachel Greenwald Smith
Cover of the book Earth Materials 2nd Edition by Rachel Greenwald Smith
Cover of the book Clinical Obsessive-Compulsive Disorders in Adults and Children by Rachel Greenwald Smith
Cover of the book Parametric Variation by Rachel Greenwald Smith
Cover of the book Ovid and Hesiod by Rachel Greenwald Smith
Cover of the book Sacred Revenge in Oceania by Rachel Greenwald Smith
Cover of the book The Obstetric Hematology Manual by Rachel Greenwald Smith
Cover of the book The Advance of the State in Contemporary China by Rachel Greenwald Smith
Cover of the book Peirce and the Threat of Nominalism by Rachel Greenwald Smith
Cover of the book Dialogue, Argumentation and Education by Rachel Greenwald Smith
Cover of the book Idleness and Aesthetic Consciousness, 1815–1900 by Rachel Greenwald Smith
Cover of the book Brownian Models of Performance and Control by Rachel Greenwald Smith
Cover of the book The Cratylus of Plato by Rachel Greenwald Smith
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy