American–Australian Cinema

Transnational Connections

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book American–Australian Cinema by , Springer International Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9783319666761
Publisher: Springer International Publishing Publication: January 29, 2018
Imprint: Palgrave Macmillan Language: English
Author:
ISBN: 9783319666761
Publisher: Springer International Publishing
Publication: January 29, 2018
Imprint: Palgrave Macmillan
Language: English

This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US.  To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US.  To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s.

More books from Springer International Publishing

Cover of the book Leader Development Deconstructed by
Cover of the book Augmented Communication by
Cover of the book Societies in Transition by
Cover of the book Hospital Medicine by
Cover of the book Big-Data Analytics and Cloud Computing by
Cover of the book Cross-Cultural Dialogue as a Conflict Management Strategy by
Cover of the book AETA 2015: Recent Advances in Electrical Engineering and Related Sciences by
Cover of the book E-Mobility in Europe by
Cover of the book Health, Culture and Society by
Cover of the book Direct Licensing and the Music Industry by
Cover of the book Endophytes: Crop Productivity and Protection by
Cover of the book Lectures on Formal and Rigid Geometry by
Cover of the book Knowledge Management in the Sharing Economy by
Cover of the book Regulating Corporate Criminal Liability by
Cover of the book Inflammatory Disorders by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy