An Aural-Performance Analysis of Revelation 1 and 11

Nonfiction, Religion & Spirituality, Bible & Bible Studies, New Testament, Criticism & Interpretation, Reference & Language, Language Arts, Communication
Cover of the book An Aural-Performance Analysis of Revelation 1 and 11 by Kayle B. de Waal, Peter Lang
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Kayle B. de Waal ISBN: 9781454190998
Publisher: Peter Lang Publication: July 20, 2015
Imprint: Peter Lang Inc., International Academic Publishers Language: English
Author: Kayle B. de Waal
ISBN: 9781454190998
Publisher: Peter Lang
Publication: July 20, 2015
Imprint: Peter Lang Inc., International Academic Publishers
Language: English

This book breaks fresh ground in the interpretation of the Apocalypse with an interdisciplinary methodology called aural-performance criticism that assesses how the first-century audience would have heard the Apocalypse. First-century media culture is probed by assessing the dynamics of literacy, orality, aurality, and performance in the Gospels, parts of the Pauline corpus, and also Jewish apocalyptic literature. The audience constructs of informed, minimal, and competent assist the interpreter to apply the methodology. Sound maps and an aural-performance commentary of Revelation 1 and 11 are developed that analyze aural markers, sound style, identity markers, repetition, themes, and the appropriation of the message by the audience. The book concludes by examining the sociological, theological, and communal aspects of aurality and performance and its implications for interpreting the Apocalypse.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book breaks fresh ground in the interpretation of the Apocalypse with an interdisciplinary methodology called aural-performance criticism that assesses how the first-century audience would have heard the Apocalypse. First-century media culture is probed by assessing the dynamics of literacy, orality, aurality, and performance in the Gospels, parts of the Pauline corpus, and also Jewish apocalyptic literature. The audience constructs of informed, minimal, and competent assist the interpreter to apply the methodology. Sound maps and an aural-performance commentary of Revelation 1 and 11 are developed that analyze aural markers, sound style, identity markers, repetition, themes, and the appropriation of the message by the audience. The book concludes by examining the sociological, theological, and communal aspects of aurality and performance and its implications for interpreting the Apocalypse.

More books from Peter Lang

Cover of the book Befaehigen, befaehigt werden, sich befaehigen Eine Auseinandersetzung mit dem Capability Approach by Kayle B. de Waal
Cover of the book Doing Critical Educational Research by Kayle B. de Waal
Cover of the book Von Lenau zu «Laibach» by Kayle B. de Waal
Cover of the book Wortschatzarbeit im Englischunterricht der Grundschule by Kayle B. de Waal
Cover of the book Fighting for Britain? by Kayle B. de Waal
Cover of the book Measuring Change by Kayle B. de Waal
Cover of the book Playing for Change by Kayle B. de Waal
Cover of the book Vers une éthique de la liberté by Kayle B. de Waal
Cover of the book Mediale Verwertung von Sportveranstaltungen by Kayle B. de Waal
Cover of the book Muslims Against the Islamic State by Kayle B. de Waal
Cover of the book Die schlichte Einwilligung im Urheberrecht by Kayle B. de Waal
Cover of the book Die Pflicht des Aufsichtsrats zur Offenlegung von Interessenkonflikten by Kayle B. de Waal
Cover of the book Recht des Angeklagten auf Vertretung by Kayle B. de Waal
Cover of the book Zwischen Ideal und Ambivalenz by Kayle B. de Waal
Cover of the book Fremde Sprachen lehren und lernen by Kayle B. de Waal
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy