Antiauthoritarian representation of reality within two of Virginia Woolf's novels

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Antiauthoritarian representation of reality within two of Virginia Woolf's novels by Ann-Kathleen Kraetzig, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ann-Kathleen Kraetzig ISBN: 9783640269594
Publisher: GRIN Publishing Publication: February 17, 2009
Imprint: GRIN Publishing Language: English
Author: Ann-Kathleen Kraetzig
ISBN: 9783640269594
Publisher: GRIN Publishing
Publication: February 17, 2009
Imprint: GRIN Publishing
Language: English

Thesis (M.A.) from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,7, Bielefeld University, 45 entries in the bibliography, language: English, abstract: 'Catch me if you can' was the invitation Virginia Woolf tried to meet in various ways during her career as a writer. This invitation had been uttered by a character in Woolf's essay Mr Bennet and Mrs Brown1, where she expresses her intention to catch reality within her novels. The discussion of representation of reality has a long tradition. Before Virginia Woolf began to think about the concept of reality, the Edwardians tried to transfer reality to their novels by presenting detailed descriptions of the outer world. When the modern writers emerged, they turned their backs on the traditional novel and adopted the current interest in psychology into their works by concentrating on the individual mind. In this context, Virginia Woolf's thoughts and theories are very interesting as she criticised both, the Edwardians as well as some modern writers. That is, she was neither convinced by the technique of the Edwardians, nor by the way her contemporaries approached the psychological representation of reality. She felt disappointed by the former mainly because of their detailed description of the outer world which she regarded as superfluous, and blamed the latter for their monological, unrestricted representation of the mind. Although Woolf supported the modern tradition to concentrate on the mind rather than on plot, she had an aesthetical claim which was incompatible with the erratic stream of consciousness technique. Additionally, she questioned the objectivity of a monological representation and searched for new ways to catch and represent reality. The problem was thus, how to convert her intentions into her writing.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Thesis (M.A.) from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,7, Bielefeld University, 45 entries in the bibliography, language: English, abstract: 'Catch me if you can' was the invitation Virginia Woolf tried to meet in various ways during her career as a writer. This invitation had been uttered by a character in Woolf's essay Mr Bennet and Mrs Brown1, where she expresses her intention to catch reality within her novels. The discussion of representation of reality has a long tradition. Before Virginia Woolf began to think about the concept of reality, the Edwardians tried to transfer reality to their novels by presenting detailed descriptions of the outer world. When the modern writers emerged, they turned their backs on the traditional novel and adopted the current interest in psychology into their works by concentrating on the individual mind. In this context, Virginia Woolf's thoughts and theories are very interesting as she criticised both, the Edwardians as well as some modern writers. That is, she was neither convinced by the technique of the Edwardians, nor by the way her contemporaries approached the psychological representation of reality. She felt disappointed by the former mainly because of their detailed description of the outer world which she regarded as superfluous, and blamed the latter for their monological, unrestricted representation of the mind. Although Woolf supported the modern tradition to concentrate on the mind rather than on plot, she had an aesthetical claim which was incompatible with the erratic stream of consciousness technique. Additionally, she questioned the objectivity of a monological representation and searched for new ways to catch and represent reality. The problem was thus, how to convert her intentions into her writing.

More books from GRIN Publishing

Cover of the book The Role of Interest Groups in the Arena of Global Antitrust and their Relevance for the Occurrence of Conflicts by Ann-Kathleen Kraetzig
Cover of the book Understanding Generational Succession challenges in German Family Businesses by Ann-Kathleen Kraetzig
Cover of the book South African foreign policy and SADC goals - lockstep or deadlock? by Ann-Kathleen Kraetzig
Cover of the book Reflexive Pronouns in Schoolbooks by Ann-Kathleen Kraetzig
Cover of the book Concept for system virtualization in the field of high availability computing by Ann-Kathleen Kraetzig
Cover of the book Iran, the United States and the CIA by Ann-Kathleen Kraetzig
Cover of the book Does Foreign Direct Investment Have an Effect on Economic Development? The Case of Bulgaria by Ann-Kathleen Kraetzig
Cover of the book Integral View of Core Competences and Core Processes in a Company by Ann-Kathleen Kraetzig
Cover of the book Spiritual Isolation in 'The Ballad of the Sad Café' by Ann-Kathleen Kraetzig
Cover of the book John the Savage and the Bard of Stratford. Shakespeare's Influence on John the Savage in Huxley's 'Brave New World' by Ann-Kathleen Kraetzig
Cover of the book Die deutsche Chemieindustrie by Ann-Kathleen Kraetzig
Cover of the book Zum Einfluss neuer Cleavages auf die Akkommodation islamischer Immigranten in Westeuropa by Ann-Kathleen Kraetzig
Cover of the book The Merger of DaimlerChrysler by Ann-Kathleen Kraetzig
Cover of the book Death in Don DeLillo's 'White Noise' by Ann-Kathleen Kraetzig
Cover of the book The effects of legislation on the municipal solid waste management in the European Union in the context of greenhouse gas emissions by Ann-Kathleen Kraetzig
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy