Antiauthoritarian representation of reality within two of Virginia Woolf's novels

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Antiauthoritarian representation of reality within two of Virginia Woolf's novels by Ann-Kathleen Kraetzig, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ann-Kathleen Kraetzig ISBN: 9783640269594
Publisher: GRIN Publishing Publication: February 17, 2009
Imprint: GRIN Publishing Language: English
Author: Ann-Kathleen Kraetzig
ISBN: 9783640269594
Publisher: GRIN Publishing
Publication: February 17, 2009
Imprint: GRIN Publishing
Language: English

Thesis (M.A.) from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,7, Bielefeld University, 45 entries in the bibliography, language: English, abstract: 'Catch me if you can' was the invitation Virginia Woolf tried to meet in various ways during her career as a writer. This invitation had been uttered by a character in Woolf's essay Mr Bennet and Mrs Brown1, where she expresses her intention to catch reality within her novels. The discussion of representation of reality has a long tradition. Before Virginia Woolf began to think about the concept of reality, the Edwardians tried to transfer reality to their novels by presenting detailed descriptions of the outer world. When the modern writers emerged, they turned their backs on the traditional novel and adopted the current interest in psychology into their works by concentrating on the individual mind. In this context, Virginia Woolf's thoughts and theories are very interesting as she criticised both, the Edwardians as well as some modern writers. That is, she was neither convinced by the technique of the Edwardians, nor by the way her contemporaries approached the psychological representation of reality. She felt disappointed by the former mainly because of their detailed description of the outer world which she regarded as superfluous, and blamed the latter for their monological, unrestricted representation of the mind. Although Woolf supported the modern tradition to concentrate on the mind rather than on plot, she had an aesthetical claim which was incompatible with the erratic stream of consciousness technique. Additionally, she questioned the objectivity of a monological representation and searched for new ways to catch and represent reality. The problem was thus, how to convert her intentions into her writing.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Thesis (M.A.) from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,7, Bielefeld University, 45 entries in the bibliography, language: English, abstract: 'Catch me if you can' was the invitation Virginia Woolf tried to meet in various ways during her career as a writer. This invitation had been uttered by a character in Woolf's essay Mr Bennet and Mrs Brown1, where she expresses her intention to catch reality within her novels. The discussion of representation of reality has a long tradition. Before Virginia Woolf began to think about the concept of reality, the Edwardians tried to transfer reality to their novels by presenting detailed descriptions of the outer world. When the modern writers emerged, they turned their backs on the traditional novel and adopted the current interest in psychology into their works by concentrating on the individual mind. In this context, Virginia Woolf's thoughts and theories are very interesting as she criticised both, the Edwardians as well as some modern writers. That is, she was neither convinced by the technique of the Edwardians, nor by the way her contemporaries approached the psychological representation of reality. She felt disappointed by the former mainly because of their detailed description of the outer world which she regarded as superfluous, and blamed the latter for their monological, unrestricted representation of the mind. Although Woolf supported the modern tradition to concentrate on the mind rather than on plot, she had an aesthetical claim which was incompatible with the erratic stream of consciousness technique. Additionally, she questioned the objectivity of a monological representation and searched for new ways to catch and represent reality. The problem was thus, how to convert her intentions into her writing.

More books from GRIN Publishing

Cover of the book Waveform Analysis of Jovian S-Burst Observations by Ann-Kathleen Kraetzig
Cover of the book A Nobody Throughout the Ages by Ann-Kathleen Kraetzig
Cover of the book Australia - a short introduction by Ann-Kathleen Kraetzig
Cover of the book France on Screen: Intercultural Stereotypes in American Romantic Comedies (Forget Paris, French Kiss & EuroTrip) by Ann-Kathleen Kraetzig
Cover of the book Work life balance - any improve for business? by Ann-Kathleen Kraetzig
Cover of the book Anthony Trollope's 'The Eustace Diamonds' - The Effects of Commodity Culture on Social Life and Marriage by Ann-Kathleen Kraetzig
Cover of the book Melville's 'Moby-Dick, or The Whale' - an Attack on Calvinism by Ann-Kathleen Kraetzig
Cover of the book Human Rights in US Foreign Policy by Ann-Kathleen Kraetzig
Cover of the book How far did the impact of western education on Africans vary between different territories or colonies in terms of their struggle for independence? by Ann-Kathleen Kraetzig
Cover of the book Voluntary Implementation of IFRS in German Non-Listed Companies by Ann-Kathleen Kraetzig
Cover of the book 'Supporting Diversity - Strengthening Cohesion' - Multiculturalism in Germany by Ann-Kathleen Kraetzig
Cover of the book Mary Shelley's Frankenstein and the Gothic - exploring the individual psyche and operating as a form of social critique by Ann-Kathleen Kraetzig
Cover of the book Two Basic Points in Georgian-German Relations by Ann-Kathleen Kraetzig
Cover of the book Max Weber: Protestant Ethic and the Spirit of Capitalism by Ann-Kathleen Kraetzig
Cover of the book An interpretation of 'A Lecture upon the Shadow' (John Donne) by Ann-Kathleen Kraetzig
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy